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    Not Made with Hands: Gregory of Nyssa's Doctrine of the Celestial Tabernacle in Its Jewish and Christian Contexts

    Conway-Jones, Ann Ismene

    [Thesis]. Manchester, UK: The University of Manchester; 2012.

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    Abstract

    The aim of this thesis is to explore Gregory of Nyssa’s tabernacle imagery, as presented in Life of Moses 2.170-201. This part of Life of Moses has suffered from relative neglect compared to the scholarly attention conferred on Gregory’s apophatic darkness imagery. For the purposes of this study, Life of Moses 2.162-201 has been divided into nine consecutive sections, given the following headings: Darkness; The tabernacle ‘not made with hands’; Christological interpretation; Divine names; Heavenly powers; The earthly tabernacle; Heavenly and earthly worship; The holy of holies; The priestly vestments. Each section is analysed in the same way. Firstly, Gregory’s text is examined, and his biblical sources identified. Secondly, there is a presentation of relevant passages in the work of his Alexandrian predecessors – Philo, Clement and Origen. Thirdly, there is a discussion of the ways in which Gregory’s fourth century theological context has influenced his interpretation, often causing him to differ from his predecessors. It is under this heading of ‘theological context’ that contemporary scholarly discussions about Gregory are most in evidence. Fourthly, a heuristic comparison with a range of heavenly ascent texts from the Hellenistic and Late Antique worlds is undertaken. It is this methodology of heuristic comparison which is the experimental aspect of the thesis. The aim is not to prove influence, but to use heavenly ascent texts as a foil, in order to shed new light on Gregory’s imagery. Does Gregory’s interpretation of the tabernacle come into focus when viewed through the lens of heavenly ascent? In order to answer this question, the scholarship on heavenly ascent texts is mined for new ways of looking at Life of Moses.The conclusions begin by reviewing the methodology. It is argued that although many of the themes explored stem from the biblical text, and occur in Gregory’s Alexandrian predecessors, the richness of possibilities they provide, and therefore the choices made by Gregory, only become apparent when his work is compared and contrasted with a wide range of other heavenly ascent texts. Even in the case of a fourth century Christian work heavily influenced by Platonism, attending to the Jewish matrix of Christian mysticism pays dividends. The conclusions continue by listing the key ideas discovered in Life of Moses 2.170-201. They end by discussing the relationships between mysticism, theology and politics in Gregory’s tabernacle imagery. It is argued that Gregory holds all three together. This is typical of heavenly ascent texts, which combine descriptions of religious experience with claims to authoritative knowledge. For Gregory, the high point of Moses’ ascent into the darkness of Mount Sinai is the mystery of Christian doctrine. The heavenly tabernacle is a type of the heavenly Christ. This mystery is beyond intellectual comprehension, it can only be grasped by faith; and only the select few, destined for positions of responsibility, should even attempt to do so. But its benefits are available to all through the community’s worship in the earthly tabernacle. Anyone can aspire to wear an airy, angelic robe by living a life of virtue, in which faith and practice go hand in hand.

    Layman's Abstract

    According to Exodus 25-28, Moses ascended Mount Sinai in order to be shown the ‘pattern’ of the tabernacle that the Israelites were to build. This ‘pattern’ became interpreted as God’s heavenly dwelling place (see for example Wisdom 9:8, or Hebrews 8-10). The earthly tabernacle, in other words, was seen as a copy of the heavenly tabernacle/temple. The fourth century church father Gregory of Nyssa wrote an allegorical commentary on Exodus and Numbers entitled Life of Moses. Much scholarship has been devoted to his interpretation of the darkness on Mount Sinai (Ex 20:21) as divine incomprehensibility. This study examines his commentary on ‘the tabernacle not made with hands’ (Life of Moses 2.170-201), arguing that it should be taken more seriously as an integral part of his mysticism. It discusses Gregory’s use of biblical material and presents relevant passages in the work of his predecessors in the Alexandrian tradition of biblical commentary – Philo, Clement and Origen. It shows how Gregory’s fourth century theological context influenced his interpretation, often causing him to differ from those predecessors. The experimental aspect of the study is a comparison between Gregory’s work and a range of heavenly ascent texts from the Hellenistic and Late Antique worlds. These are texts in which individuals ascend to heaven and glimpse the divine throne with its myriad attendant angels. They range from 1 Enoch (dating from the 3rd century B.C.E. onwards) to the Hekhalot texts (composed between the third and seventh centuries C.E.). Some are Jewish, some Christian, some a mixture (such as a Jewish text reworked by Christian editors) and for some more nuanced definitions of identity are required. It is not argued that Gregory was influenced by any of these texts in particular, but that, since his description of Moses’ experience on Mount Sinai draws on the paradigm of heavenly ascent, by comparing and contrasting his work with other texts dependent on that paradigm, new light is shed on his use of imagery.The conclusions begin by reviewing the value of studying Jewish and Christian texts alongside each other, arguing that even in the case of a fourth century Christian work heavily influenced by Platonism, attending to the Jewish matrix of Christian mysticism pays dividends. The conclusions continue by listing the key ideas discovered in Life of Moses 2.170-201. They end by discussing the relationships between mysticism, theology and politics in Gregory’s tabernacle imagery. It is argued that Gregory holds all three together. This is typical of heavenly ascent texts, which combine descriptions of religious experience with claims to authoritative knowledge. For Gregory, the high point of Moses’ ascent into the darkness of Mount Sinai is the mystery of Christian doctrine. The heavenly tabernacle is a type of the heavenly Christ. This mystery is beyond intellectual comprehension, it can only be grasped by faith; and only the select few, destined for positions of responsibility, should even attempt to do so. But its benefits are available to all through the community’s worship in the earthly tabernacle. Anyone can aspire to wear an airy, angelic robe by living a life of virtue, in which faith and practice go hand in hand.

    Bibliographic metadata

    Type of resource:
    Content type:
    Form of thesis:
    Type of submission:
    Degree type:
    Doctor of Philosophy
    Degree programme:
    PhD Religions and Theology
    Publication date:
    Location:
    Manchester, UK
    Total pages:
    245
    Abstract:
    The aim of this thesis is to explore Gregory of Nyssa’s tabernacle imagery, as presented in Life of Moses 2.170-201. This part of Life of Moses has suffered from relative neglect compared to the scholarly attention conferred on Gregory’s apophatic darkness imagery. For the purposes of this study, Life of Moses 2.162-201 has been divided into nine consecutive sections, given the following headings: Darkness; The tabernacle ‘not made with hands’; Christological interpretation; Divine names; Heavenly powers; The earthly tabernacle; Heavenly and earthly worship; The holy of holies; The priestly vestments. Each section is analysed in the same way. Firstly, Gregory’s text is examined, and his biblical sources identified. Secondly, there is a presentation of relevant passages in the work of his Alexandrian predecessors – Philo, Clement and Origen. Thirdly, there is a discussion of the ways in which Gregory’s fourth century theological context has influenced his interpretation, often causing him to differ from his predecessors. It is under this heading of ‘theological context’ that contemporary scholarly discussions about Gregory are most in evidence. Fourthly, a heuristic comparison with a range of heavenly ascent texts from the Hellenistic and Late Antique worlds is undertaken. It is this methodology of heuristic comparison which is the experimental aspect of the thesis. The aim is not to prove influence, but to use heavenly ascent texts as a foil, in order to shed new light on Gregory’s imagery. Does Gregory’s interpretation of the tabernacle come into focus when viewed through the lens of heavenly ascent? In order to answer this question, the scholarship on heavenly ascent texts is mined for new ways of looking at Life of Moses.The conclusions begin by reviewing the methodology. It is argued that although many of the themes explored stem from the biblical text, and occur in Gregory’s Alexandrian predecessors, the richness of possibilities they provide, and therefore the choices made by Gregory, only become apparent when his work is compared and contrasted with a wide range of other heavenly ascent texts. Even in the case of a fourth century Christian work heavily influenced by Platonism, attending to the Jewish matrix of Christian mysticism pays dividends. The conclusions continue by listing the key ideas discovered in Life of Moses 2.170-201. They end by discussing the relationships between mysticism, theology and politics in Gregory’s tabernacle imagery. It is argued that Gregory holds all three together. This is typical of heavenly ascent texts, which combine descriptions of religious experience with claims to authoritative knowledge. For Gregory, the high point of Moses’ ascent into the darkness of Mount Sinai is the mystery of Christian doctrine. The heavenly tabernacle is a type of the heavenly Christ. This mystery is beyond intellectual comprehension, it can only be grasped by faith; and only the select few, destined for positions of responsibility, should even attempt to do so. But its benefits are available to all through the community’s worship in the earthly tabernacle. Anyone can aspire to wear an airy, angelic robe by living a life of virtue, in which faith and practice go hand in hand.
    Layman's abstract:
    According to Exodus 25-28, Moses ascended Mount Sinai in order to be shown the ‘pattern’ of the tabernacle that the Israelites were to build. This ‘pattern’ became interpreted as God’s heavenly dwelling place (see for example Wisdom 9:8, or Hebrews 8-10). The earthly tabernacle, in other words, was seen as a copy of the heavenly tabernacle/temple. The fourth century church father Gregory of Nyssa wrote an allegorical commentary on Exodus and Numbers entitled Life of Moses. Much scholarship has been devoted to his interpretation of the darkness on Mount Sinai (Ex 20:21) as divine incomprehensibility. This study examines his commentary on ‘the tabernacle not made with hands’ (Life of Moses 2.170-201), arguing that it should be taken more seriously as an integral part of his mysticism. It discusses Gregory’s use of biblical material and presents relevant passages in the work of his predecessors in the Alexandrian tradition of biblical commentary – Philo, Clement and Origen. It shows how Gregory’s fourth century theological context influenced his interpretation, often causing him to differ from those predecessors. The experimental aspect of the study is a comparison between Gregory’s work and a range of heavenly ascent texts from the Hellenistic and Late Antique worlds. These are texts in which individuals ascend to heaven and glimpse the divine throne with its myriad attendant angels. They range from 1 Enoch (dating from the 3rd century B.C.E. onwards) to the Hekhalot texts (composed between the third and seventh centuries C.E.). Some are Jewish, some Christian, some a mixture (such as a Jewish text reworked by Christian editors) and for some more nuanced definitions of identity are required. It is not argued that Gregory was influenced by any of these texts in particular, but that, since his description of Moses’ experience on Mount Sinai draws on the paradigm of heavenly ascent, by comparing and contrasting his work with other texts dependent on that paradigm, new light is shed on his use of imagery.The conclusions begin by reviewing the value of studying Jewish and Christian texts alongside each other, arguing that even in the case of a fourth century Christian work heavily influenced by Platonism, attending to the Jewish matrix of Christian mysticism pays dividends. The conclusions continue by listing the key ideas discovered in Life of Moses 2.170-201. They end by discussing the relationships between mysticism, theology and politics in Gregory’s tabernacle imagery. It is argued that Gregory holds all three together. This is typical of heavenly ascent texts, which combine descriptions of religious experience with claims to authoritative knowledge. For Gregory, the high point of Moses’ ascent into the darkness of Mount Sinai is the mystery of Christian doctrine. The heavenly tabernacle is a type of the heavenly Christ. This mystery is beyond intellectual comprehension, it can only be grasped by faith; and only the select few, destined for positions of responsibility, should even attempt to do so. But its benefits are available to all through the community’s worship in the earthly tabernacle. Anyone can aspire to wear an airy, angelic robe by living a life of virtue, in which faith and practice go hand in hand.
    Thesis main supervisor(s):
    Thesis co-supervisor(s):
    Language:
    en

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    Manchester eScholar ID:
    uk-ac-man-scw:158709
    Created by:
    Conway-Jones, Ann
    Created:
    10th April, 2012, 10:22:33
    Last modified by:
    Conway-Jones, Ann
    Last modified:
    30th March, 2016, 14:14:31

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