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    How to Explain This and The Construction of Disability in British Female Poetry in the 1990s-2010s: How Susan Wicks and Jo Shapcott Typify the New Generation's Attention to Body and Difference.

    Ward, Eleanor Catharine

    [Thesis]. Manchester, UK: The University of Manchester; 2018.

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    Abstract

    This thesis is in two parts. The first section is a poetry collection called How to Explain This, and the second section is a critical essay that explores the questions of how Susan Wicks and Jo Shapcott typify the New Generation's attention to body and difference. My critical essay takes its cues from the academic fields of Cultural Disability Studies and Medical Humanities, and understands disabled identities to be both constructed and porous. It considers the influence of cultural scholars such as Judith Butler, who influenced how we consider the fixity of boundaries and identities. By concentrating on the collections Open Diagnosis by Susan Wicks and Of Mutability by Jo Shapcott, it argues that both poets borrow from the context of Disability Rights and Culture, as well as the attention to the body that was popular among The New Generation of Poets in the 1990s-2010s. This period of social and legislative changes in British law meant that the attention on disabled bodies was increasing. Wicks and Shapcott's collections incorporate the heightened visibility of disabled bodies in this period. They write authoritatively about their experience of illness and disability by encompassing multiple cultural, academic and legislative perspectives. Additionally, by using scientific language and imagery Wicks and Shapcott present collections that incorporate a variety of perspectives on disability distinct to the strict demarcation of identities found in critical work. Instead Wicks and Shapcott rely on the use of myth and culture to present rounded and complex illustrations of "deviant" bodies. How to Explain This is divided into three sections and explores the interconnected themes of love, identity and disability through a series of sequences. This poetry collection incorporates similar ideas to the critical work, rejecting simple and straightforward identities. Instead, How to Explain This considers how disability is affected by relationships, family and other life events, in poems which construct and reflect on difference and stigma.

    Bibliographic metadata

    Type of resource:
    Content type:
    Form of thesis:
    Type of submission:
    Degree type:
    Doctor of Philosophy
    Degree programme:
    PhD Creative Writing
    Publication date:
    Location:
    Manchester, UK
    Total pages:
    189
    Abstract:
    This thesis is in two parts. The first section is a poetry collection called How to Explain This, and the second section is a critical essay that explores the questions of how Susan Wicks and Jo Shapcott typify the New Generation's attention to body and difference. My critical essay takes its cues from the academic fields of Cultural Disability Studies and Medical Humanities, and understands disabled identities to be both constructed and porous. It considers the influence of cultural scholars such as Judith Butler, who influenced how we consider the fixity of boundaries and identities. By concentrating on the collections Open Diagnosis by Susan Wicks and Of Mutability by Jo Shapcott, it argues that both poets borrow from the context of Disability Rights and Culture, as well as the attention to the body that was popular among The New Generation of Poets in the 1990s-2010s. This period of social and legislative changes in British law meant that the attention on disabled bodies was increasing. Wicks and Shapcott's collections incorporate the heightened visibility of disabled bodies in this period. They write authoritatively about their experience of illness and disability by encompassing multiple cultural, academic and legislative perspectives. Additionally, by using scientific language and imagery Wicks and Shapcott present collections that incorporate a variety of perspectives on disability distinct to the strict demarcation of identities found in critical work. Instead Wicks and Shapcott rely on the use of myth and culture to present rounded and complex illustrations of "deviant" bodies. How to Explain This is divided into three sections and explores the interconnected themes of love, identity and disability through a series of sequences. This poetry collection incorporates similar ideas to the critical work, rejecting simple and straightforward identities. Instead, How to Explain This considers how disability is affected by relationships, family and other life events, in poems which construct and reflect on difference and stigma.
    Thesis main supervisor(s):
    Thesis co-supervisor(s):
    Language:
    en

    Institutional metadata

    University researcher(s):

    Record metadata

    Manchester eScholar ID:
    uk-ac-man-scw:315470
    Created by:
    Ward, Eleanor
    Created:
    6th August, 2018, 18:16:32
    Last modified by:
    Ward, Eleanor
    Last modified:
    2nd September, 2019, 12:23:33

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