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      Film and the Production of Knowledge at the Manchester Museum: A practice-based study

      Everest, Sophie Florence

      [Thesis]. Manchester, UK: The University of Manchester; 2018.

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      Abstract

      Non-fiction film shares a long and relatively uncharted history with the museum. Today, filmmaking is a widespread yet critically neglected area of modern museological practice. This practice-based PhD situates itself within these critical gaps to examine the knowledge producing potential of film archives and film practice at the Manchester Museum. Its primary historical sources are a group of taxidermy objects at the Manchester Museum, an archive of 16mm acetate films at the North West Film Archive and a collection of travel journals at Cheshire Archives and Local Studies. These diverse collections were generated by Maurice Egerton, the 4th Baron of Tatton in Cheshire during his travels in Africa in the first decades of the twentieth century. This thesis brings all three together for the first time since their moment of production. These collections recur throughout the thesis as I ask how film archives can complicate and enrich our understanding of collections and how filmmaking practice might continue to bring new types of knowledge into the museum and archive. Two research films are submitted with and discussed within the thesis. The first, ‘Living Worlds at the Manchester Museum’, adapts observational methods from visual anthropology to record objects and staff during the re-display of the mammal gallery at the Manchester Museum in 2011. The second, ‘Articulating Archives’ is the result of a creative collaboration in 2014 with Year 8 secondary school students and the institutions and archives named above. Within the production and analyses of these films I draw on diverse critical sources to suggest that film can illuminate properties of materiality, embodied knowledge and performed engagement that textual accounts fall short of capturing.

      Additional content not available electronically

      USB disk featuring two research films and three research clips

      Bibliographic metadata

      Type of resource:
      Content type:
      Administered thesis
      Form of thesis:
      Traditional
      Type of submission:
      Doctoral level ETD - final
      Thesis title:
      Film and the Production of Knowledge at the Manchester Museum: A practice-based study
      Degree type:
      Doctor of Philosophy
      Degree programme:
      PhD Museology
      Publication date:
      2018-11-14T20:43:21
      Institution:
      The University of Manchester
      Location:
      Manchester, UK
      Total pages:
      163
      Abstract:
      Non-fiction film shares a long and relatively uncharted history with the museum. Today, filmmaking is a widespread yet critically neglected area of modern museological practice. This practice-based PhD situates itself within these critical gaps to examine the knowledge producing potential of film archives and film practice at the Manchester Museum. Its primary historical sources are a group of taxidermy objects at the Manchester Museum, an archive of 16mm acetate films at the North West Film Archive and a collection of travel journals at Cheshire Archives and Local Studies. These diverse collections were generated by Maurice Egerton, the 4th Baron of Tatton in Cheshire during his travels in Africa in the first decades of the twentieth century. This thesis brings all three together for the first time since their moment of production. These collections recur throughout the thesis as I ask how film archives can complicate and enrich our understanding of collections and how filmmaking practice might continue to bring new types of knowledge into the museum and archive. Two research films are submitted with and discussed within the thesis. The first, ‘Living Worlds at the Manchester Museum’, adapts observational methods from visual anthropology to record objects and staff during the re-display of the mammal gallery at the Manchester Museum in 2011. The second, ‘Articulating Archives’ is the result of a creative collaboration in 2014 with Year 8 secondary school students and the institutions and archives named above. Within the production and analyses of these films I draw on diverse critical sources to suggest that film can illuminate properties of materiality, embodied knowledge and performed engagement that textual accounts fall short of capturing.
      Additional digital content not deposited electronically:
      USB disk featuring two research films and three research clips
      Keyword(s):
      Thesis main supervisor(s):
      Thesis co-supervisor(s):
      Degree grantor:
      Language:
      en

      Institutional metadata

      University researcher(s):
      Academic department(s):

        Record metadata

        Manchester eScholar ID:
        uk-ac-man-scw:317245
        Created by:
        Everest, Sophie
        Created:
        14th November, 2018, 20:43:21
        Last modified by:
        Everest, Sophie
        Last modified:
        3rd January, 2019, 13:48:59

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