PhD Music (Musicology) / Overview
Year of entry: 2018
- Degree awarded
- Doctor of Philosophy
- 36 Months [Full-Time], 72 Months [Part-Time]
- Entry requirements
Successful completion of a Masters course with an overall classification of Merit or higher, or its overseas equivalent, with an element of research training, is a prerequisite for entry to a PhD. A research proposal must be included with the formal application materials.
- How to apply
- For details of how to apply, go to: Applying for a postgraduate programme
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You will develop historical and/or analytical skills at an advanced level, with independence and originality of thought combined with technical skill. The supervised research will normally be related in some way to the research interests of a member of staff; these currently include but are not limited to:
Medieval and Renaissance music; English Baroque music; Baroque music theory and performance practice; Beethoven and his contemporaries; Music in 19th-century Germany (Mendelssohn, Schubert); Analysis; 20th-century music, especially that of Russia and the Soviet Union; 20th-century symphony; Opera; Music in contemporary culture; Ethnomusicology; Music Revivals in the 20th and 21st centuries.
Musicologists and ethnomusicologists will produce an 80,000 word dissertation that presents independent and original research executed at a high standard. They will be assigned a research panel consisting of their supervisor, a co-supervisor and advisor who will meet with them on a regular basis to monitor their progress. Postgraduate students are expected to take part in the academic community of the department and University by participating in seminars and presenting their research at regular intervals.
Recent or current PhD topics in Musicology and Ethnomusicology include: 'Aesthetic and Ideological Trends in the Reception of Mendelssohn's Music in Nineteenth-Century Germany (Sinéad Dempsey); 'Beethoven's Compositional Approach to Multi-Movement Structures in his Instrumental Works' (Erica Buurman); 'Arrogance or audacity? : the music of Sebastián Raval (?-1604)' (Esperanza Rodriguez-Garcia); 'Alfred Schnittke's symphonies 1-3 in the context of late Soviet music' (Ivana Medic); 'The Chapel Royal Partbooks in Eighteenth-Century England' (James Hume); 'Music Publishing and Compositional Activity in England, 1650-1700' (Stephanie Carter); 'Structure, rhetoric, imagery: intersections of literary expression and musical narrative in the vocal works of Beethoven' (Matthew Pilcher) 'Schumann's Music and Hoffmann's Fiction' (John Macauslan); 'Printing Polyphonic Music in the Early 16th century' (Sanna Raninen); The String Quartets of Mieczyslaw Weinberg (Daniel Elphick); 'Diligentissime Emendatum, Atque Correctum? The Transmission And Revision Of Plainchant In Italian Printed Graduals, 1499-1653' (Marianne Gillion); 'The Music of Fantasy Film Franchises: On the Creation, Evolution and Destruction of Musical Worlds' (Daniel White); 'Transmitting guitar culture within and between island communities: Maltese prejjem at home and in the Maltese-Australian diaspora' (Andrew Pace); 'Music and Spirit Possession in Yoruba Worship' (Sam Amusan)
For entry in the academic year beginning September 2018, the tuition fees are as follows:
UK/EU students (per annum): TBA
International students (per annum): £18,000
UK/EU students (per annum): TBA
Please note for the majority of projects where experimentation requires further resource: higher fee bands (where quoted) will be charged rather than the base rate for supervision, administration and computational costs. The fees quoted above will be fully inclusive and, therefore, you will not be required to pay any additional bench fees or administration costs.
All fees for entry will be subject to yearly review and incremental rises per annum are also likely over the duration of the course for UK/EU students (fees are typically fixed for International students, for the course duration at the year of entry). For general fees information please visit: postgraduate fees . Always contact the department if you are unsure which fee applies to your project.
British and EU students intending to take a research degree (MPhil or PhD) in the School are eligible to apply for support from the Arts and Humanities Research Council (AHRC) and may be eligible to apply to the Economic and Social Research Council (ESRC). AHRC and ESRC grants are competitive and provide payment of tuition fees and a maintenance stipend for UK students, and tuition fees (and a maintenance stipend, subject to eligibility criteria) for EU students. Please see the School website for further details.
The School also offers a limited number of bursaries and studentships on a competitive basis, details of which will be posted on the School website as soon as they are available.
Please note that whilst we do not have closing dates for programme applications, all funding competitions have a specified deadline for submitting the funding application form and a separate (earlier) deadline for submitting the online programme application form, both of which will be stated in the funding competition details on the School website
- Research Impact Scholarships in the School of Arts, Languages and Cultures. Details for the 2018-19 competition will be published shortly
- AHRC North West Consortium Doctoral Training Partnership (NWCDTP) in the School of Arts, Languages and Cultures 2017-18. Details for the 2018-19 competition will be published shortly.
- President's Doctoral Scholar (PDS) Awards in the School of Arts, Languages and Cultures 2017-18. Details for the 2018-19 competition will be published shortly.
- School of Arts, Languages and Cultures PhD Studentships 2017-18. Details for the 2018-19 competition will be published shortly.
- PhD Home Fee Bursary (Music): Victor Sayer Award
- Academic department
- School of Arts, Languages and Cultures
- Contact name
- Rachel Corbishley
- +44 (0) 161 275 3559
- Academic department overview
See: About us
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