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University researcher(s)

    Portfolio of Electroacoustic Music Composition

    Blackburn, Manuella

    [Thesis]. Manchester, UK: The University of Manchester; 2010.

    Access to files

    Abstract

    This commentary details the methods and ideas involved in creating the seven portfolio works. The portfolio is comprised of stereo acousmatic works, one mixed work and a multi-channel work, forming the practice-based research completed during the PhD programme at the University of Manchester.The works explore a number of aesthetic concepts encompassing instrumental timbres, cultural sound objects, rhythm incorporation, habitual spaces (the kitchen), imaginary and real objects (jukebox), and visual art sculpture (origami). Uniting the portfolio works is the use of Denis Smalley’s spectromorphology (1997). In its intended function, this tool provides the listener of electroacoustic music with thorough and accessible sets of vocabulary to describe sound events, structures and spaces. The use of this descriptive tool need not stop here. Fortunately, and often unconsciously for the composer, it does not, since all composers create music that is spectromorphological with or without an awareness of its presence at work. In a reversal of conventional practice, my research approaches spectromorphology from an alternate angle, viewing the vocabulary as the informer upon sound material choice and creation. In this reversal, vocabulary no longer functions descriptively; instead the vocabulary precedes the composition, directing my compositional pathway in each piece. This new application, used as a method for selecting and creating sound in the creation of each portfolio work, is an attempt at systemisation and an effort to partly remedy the seemingly endless choice of possibilities we are faced with when beginning a new work.

    Additional content not available electronically

    CD 1 (Audio CD) - Portfolio of electroacoustic music compositions Kitchen Alchemy 11’34Origami 15’16Cajón! 9’18Spectral Spaces 10’40Dance Machine 20’11Vista Points 10’14CD 2 (Audio CD) – Music appendices 1, 2 and 3Cajón! (acousmatic version) 9’01Karita oto (stereo version) 14’54Denis Smalley Wind Chime soundfiles (3 – 16)CD 3 (Audio CD) Music appendices 4 and 5Bird Movements (1 – 13) Splice Girls samples (14 – 17)DVD 1 (Data DVD) – Portfolio of electroacoustic music compositionsKarita oto (multi-channel audio tracks)

    Performance instruction for Cajón! contained in box file

    Bibliographic metadata

    Type of resource:
    Content type:
    Form of thesis:
    Type of submission:
    Degree type:
    Doctor of Philosophy
    Degree programme:
    PhD Music
    Publication date:
    Location:
    Manchester, UK
    Total pages:
    82
    Abstract:
    This commentary details the methods and ideas involved in creating the seven portfolio works. The portfolio is comprised of stereo acousmatic works, one mixed work and a multi-channel work, forming the practice-based research completed during the PhD programme at the University of Manchester.The works explore a number of aesthetic concepts encompassing instrumental timbres, cultural sound objects, rhythm incorporation, habitual spaces (the kitchen), imaginary and real objects (jukebox), and visual art sculpture (origami). Uniting the portfolio works is the use of Denis Smalley’s spectromorphology (1997). In its intended function, this tool provides the listener of electroacoustic music with thorough and accessible sets of vocabulary to describe sound events, structures and spaces. The use of this descriptive tool need not stop here. Fortunately, and often unconsciously for the composer, it does not, since all composers create music that is spectromorphological with or without an awareness of its presence at work. In a reversal of conventional practice, my research approaches spectromorphology from an alternate angle, viewing the vocabulary as the informer upon sound material choice and creation. In this reversal, vocabulary no longer functions descriptively; instead the vocabulary precedes the composition, directing my compositional pathway in each piece. This new application, used as a method for selecting and creating sound in the creation of each portfolio work, is an attempt at systemisation and an effort to partly remedy the seemingly endless choice of possibilities we are faced with when beginning a new work.
    Additional digital content not deposited electronically:
    CD 1 (Audio CD) - Portfolio of electroacoustic music compositions Kitchen Alchemy 11’34Origami 15’16Cajón! 9’18Spectral Spaces 10’40Dance Machine 20’11Vista Points 10’14CD 2 (Audio CD) – Music appendices 1, 2 and 3Cajón! (acousmatic version) 9’01Karita oto (stereo version) 14’54Denis Smalley Wind Chime soundfiles (3 – 16)CD 3 (Audio CD) Music appendices 4 and 5Bird Movements (1 – 13) Splice Girls samples (14 – 17)DVD 1 (Data DVD) – Portfolio of electroacoustic music compositionsKarita oto (multi-channel audio tracks)
    Non-digital content not deposited electronically:
    Performance instruction for Cajón! contained in box file
    Thesis main supervisor(s):
    Thesis co-supervisor(s):
    Thesis advisor(s):
    Language:
    en

    Institutional metadata

    University researcher(s):

    Record metadata

    Manchester eScholar ID:
    uk-ac-man-scw:84144
    Created by:
    Blackburn, Manuella
    Created:
    25th June, 2010, 09:35:24
    Last modified by:
    Blackburn, Manuella
    Last modified:
    10th February, 2015, 10:33:58

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