Master of Music
MusM Composition (Instrumental and Vocal music)
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Overview
Course overview
- Find your voice at one of the UK’s top 5 universities for Music (Complete University Guide 2026).
- Hear your music performed by a professional ensemble
- Join the culture in the UK’s most active music-making city, outside of London.
Contact details
- School/Faculty
- School of Arts, Languages and Cultures
- Contact name
- PG Taught Admissions
- Telephone
- 0161 275 0322
- MASALC@manchester.ac.uk
- Website
- http://www.alc.manchester.ac.uk/music/
- School/Faculty overview
-
See: About us
Courses in related subject areas
Use the links below to view lists of courses in related subject areas.
Entry requirements
Academic entry qualification overview
We normally expect students to have a First or Upper Second class honours degree or its overseas equivalent in a humanities-based subject area.
English language
An overall grade of 6.5 in IELTS with 6.5 in writing an no skill below 6.0 is required or 93+ in the TOEFL iBT with a minimum writing score of 22 and no skill below 20.
If you have obtained a different qualification, please check our English language requirements to ensure that it is accepted and equivalent to the above requirements.
English language test validity
Relevant work experience
Fees and funding
Fees
For entry in the academic year beginning September 2026, the tuition fees are as follows:
-
MusM (full-time)
UK students (per annum): £13,700
International, including EU, students (per annum): £28,400 -
MusM (part-time)
UK students (per annum): £6,850
International, including EU, students (per annum): £14,200
Further information for EU students can be found on our dedicated EU page.
Policy on additional costs
All students should normally be able to complete their programme of study without incurring additional study costs over and above the tuition fee for that programme. Any unavoidable additional compulsory costs totalling more than 1% of the annual home undergraduate fee per annum, regardless of whether the programme in question is undergraduate or postgraduate taught, will be made clear to you at the point of application. Further information can be found in the University's Policy on additional costs incurred by students on undergraduate and postgraduate taught programmes (PDF document, 91KB).
Scholarships/sponsorships
- Information on university funding, loans, and scholarships available on the Masters student funding page .
- The Faculty of Humanities offered a range of scholarship opportunities for eligible applicants starting in September 2025. Please check back to confirm availability for September 2026 start.
- Please visit the school funding page for more information on subject funding available.
- Other funding for EU and international students is on our country-specific pages .
Application and selection
How to apply
Advice to applicants
You will need to submit scores (preferably as PDF files) of two or three recent compositions, for a variety of forces or dealing with a variety of musical contexts if possible, and if available, links to recordings of performances of these works.
You can upload the portfolio under the 'CV/Resume' option in the Supporting Documents section at the end of the application form.
How your application is considered
Once we have an application that is ready for a decision, the admissions tutor (often the Programme Director) will relay the decision to the admissions team, who will send you this decision.
Please note that your application is usually received by the School 24 to 48 hours after the time you submit it. If you have not provided documentation that allows the admissions tutor to make a decision, we will contact you.
Portfolio requirements
Course details
Course description
Our MusM Composition (Instrumental and Vocal) master's course offers intensive training for composers. We offer an invaluable opportunity for composers to hone their skills and develop their personal voice, through an outstanding programme of workshops with leading professional musicians. These opportunities provide excellent preparation for careers in the professional world, or for subsequent doctoral study.
You will benefit from:
- Teaching that embraces creative flexibility allowing you to develop your own compositional interests;
- professional ensembles workshopping your compositions;
- integration into the active research culture of The University of Manchester, through research seminars, workshops and concerts.
Aims
We aim to:
- enable you to develop compositional techniques and professional skills appropriate to your creative needs;
- give you practical experiences working with students and professional musicians to hone your practical skills;
- help you develop an awareness of aesthetic, analytical and technical issues relating to contemporary Western art music, and apply these to your composition;
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equip you with skills and experiences that will help you in your future careers, or in further study at PhD level.
Special features
Ensembles
Every year, we offer opportunities to write for outstanding professional ensembles and soloists.
Our string quartet in residence the Quatuor Danel enjoys a huge international reputation and their repertoire seemingly knows no limits.
Our contemporary ensemble in residence, Tangram , seamlessly combine eastern and western musical cultures through their repertoire.
Opportunities are also offered to write pieces to be workshopped by groups performing in our Thursday lunchtime concert series , and to write for other ensembles and soloists with whom we enjoy close relationships, including musicians from Distractfold, the Hallé Orchestra, Trio Atem, Manchester Camerata and the BBC Philharmonic Orchestra.
NOVARS and MANTIS
Postgraduate students who are also interested in electroacoustic composition play an active role at the NOVARS Research Centre, including planning, organisation and execution of performance events such as the Sines & Squares Festival and MANTIS Festival, and other projects such as LocativeAudio.
Relevant training, including rigging and de-rigging the MANTIS system, health and safety, sound diffusion workshops, and organisation of Calls for Works when needed, is an important part of the course.
Performance
Our Music department is extremely active in putting on student-run live events, and is unique in its combination of academic excellence and conservatoire levels of performance. Watch examples of our previous performances by visiting the Music department YouTube channel.
MusM composers are strongly encouraged to collaborate with, and write for other students in the department, including those on the MusM Music (Performance Studies)
.
Teaching and learning
Taught course units are delivered mostly via weekly seminars and/or tutorials. All of the courses, including the composition portfolio, are supported by a mix of group and individual supervisions, allowing for in-depth exploration of ideas and intensive support for the various course units offered.
Alongside your taught units, you will have access to a range of non-assessed seminars, workshops and training sessions offered by the Graduate School.
You are also expected to attend regular concerts, composition workshops and research seminars throughout the academic year.
Coursework and assessment
There are no formal examinations. Taught course units - all of which must be satisfactorily completed - are assessed by submission of compositions, coursework essays or other tasks, normally submitted at the end of each semester (January and May).
The Composition Portfolio is created over the entire duration of study and is submitted at the end of the academic year (after the summer vacation). All work is moderated both internally and by the External Examiner.
Course unit details
You will undertake units totalling 180 credits. Core and optional units combine to make 120 credits, with the remaining 60 credits allocated to a portfolio. Full-time students take two course units per semester; part-time students take one.
This course is designed to give a comprehensive training to composers in much more depth than is possible at undergraduate level.
Semester 1 provides a compulsory composition skills course (Composition Etudes) and choice between two analysis-based courses: Contemporary Music Studies, or Aesthetics and Analysis of Organised Sound.
Semester 2 provides a compulsory creative partner project course, Composition Project, and a choice of various skills based courses, including Advanced Orchestration, Interactive Tools and Engines and Historical & Contemporary Performance.
Course unit list
The course unit details given below are subject to change, and are the latest example of the curriculum available on this course of study.
Title | Code | Credit rating | Mandatory/optional |
---|---|---|---|
MUSC60120 | 60 | Mandatory | |
MUSC60152 | 30 | Mandatory | |
MUSC60191 | 30 | Mandatory | |
MUSC60011 | 15 | Optional | |
MUSC60032 | 30 | Optional | |
MUSC60042 | 30 | Optional | |
MUSC60130 | 30 | Optional | |
MUSC60132 | 30 | Optional | |
MUSC60171 | 30 | Optional | |
MUSC60221 | 30 | Optional | |
Displaying 10 of 14 course units | |||
Display all course units |
Facilities
The Martin Harris Centre offers students an exceptional home equipped with state-of-the-art facilities, including a new practice room building named for our first music graduate Marian Millar.
Alongside teaching rooms and practice rooms, the building houses the Cosmo Rodewald Concert Hall (capacity 350, with a stage large enough to accommodate a full symphony orchestra), the John Thaw Studio Theatre and a postgraduate suite consisting of a common room and computer room.
For those interested in Electroacoustic Composition, the NOVARS studio complex supports a broad range of activities in the fields of electroacoustic composition and new media.
Elsewhere on campus, all students benefit from the outstanding University of Manchester library and the John Rylands Library (housing the British Pop Archives), as well as dedicated postgraduate study spaces within the Ellen Wilkinson Building.
Find out more about our facilities .
Disability support
Careers
Career opportunities
Our graduates have pursued successful careers in musical and non-musical fields.
Some continue to further study via a PhD before securing an academic position.
Some go on to teach in schools or further education, both in the UK and overseas.
Other graduates have gone on to work in fields which advanced compositional training has been directly relevant such as: music producing, music composition, audio production, recording studios, entrepreneurships, the creative industries, music publishing, music journalism and performance.
Careers outside of music have included computer programming, theatre, accountancy, law, social work and human resources.
The University has its own dedicated Careers Service that you would have full access to as a student and for two years after you graduate.
At Manchester you will have access to a number of opportunities to help boost your employability
Regulated by the Office for Students
The University of Manchester is regulated by the Office for Students (OfS). The OfS aims to help students succeed in Higher Education by ensuring they receive excellent information and guidance, get high quality education that prepares them for the future and by protecting their interests. More information can be found at the OfS website.
You can find regulations and policies relating to student life at The University of Manchester, including our Degree Regulations and Complaints Procedure, on our regulations website.