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If you already have your exam results, meet the entry requirements, and are not holding an offer from a university or college, then you may be able to apply to this course.

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BA Music and Drama

Year of entry: 2024

Course unit details:
Performance Practices 1

Course unit fact file
Unit code DRAM10101
Credit rating 20
Unit level Level 1
Teaching period(s) Semester 1
Available as a free choice unit? No

Overview

Students begin their practical element of their programme with a wide range of skills and experience. This course is designed to give all students a clear point of entry into practical skills in drama and theatre. It focuses on student’s skills in creating their own work with an emphasis on creating original pieces of performance through writing, devising and physical theatre.    

 

 

Aims

  • To provide students with the opportunity to specialise in a range of key theatre/performance practices
  • To introduce students to key readings in theatre/performance practice
  • To prepare students for the practical work and theatre-making they will engage with during the rest of their programme
  • To introduce students to ideas and concepts around critical and reflective practices in relation theatre making

 

Syllabus

A series of practical workshops with visiting performance practitioners.

Teaching and learning methods

The course will be taught via:  

  • Practical workshops and master classes  
  • Discussion  
  • Small group work and performances  
  • Demonstrations  

The course unit will be complemented by a Blackboard site that conforms to minimum requirements including a course handbook, weekly course breakdown, provision of reading material, reading lists. Supplementary material from workshops will be added as appropriate. The blackboard site will be prepared and available to students at least one week prior to the beginning of the first teaching week each semester. 

Knowledge and understanding

  • Demonstrate an understanding of the role of reflection and analysis in developing practical work, and understand the role of practice in creating original work for performance
  • Understand the role of co-operation and collaboration in developing practical work for performance
  • Demonstrate knowledge about appropriate skills to use in specific settings

 

Intellectual skills

  • Reflect on their own practical skills in a critical and analytical way
  • Demonstrate a knowledge of their own skills in relation to professional practice
  • Demonstrate that they can apply an analysis of their experience to the completion of an assessment exercise

 

Practical skills

  • Demonstrate that they have acquired skills to a level of specialisation in specific areas of theatre/performance practice
  • Evaluate different approaches to theatre/performance making and execute a collaborative piece of live performance
  • Develop a style of journaling and record keeping and understand the importance of this in creating work for performance

Transferable skills and personal qualities

  • Basic interpersonal communication and team-working skills and working to deadlines and under pressure, independently and as part of a group
  • Develop an awareness of effective leadership and group-work skills and  develop an ability to solve problems creatively and critically
  • Performing with confidence and precision for an audience

 

Employability skills

Innovation/creativity
Creative thinking – our teaching environment enables students to develop creative and critical approaches to problem-solving.
Project management
Project management – our teaching environment demands that students plan, undertake, manage and evaluate projects independently and as part of teams.
Written communication
Advanced communication skills – verbal, written; prepared/rehearsed and ‘off the cuff’/improvised.
Other
Emotional intelligence – our teaching environment encourages students to develop self awareness, and an ability to use emotional and cognitive capacities when approaching new challenges.

Assessment methods

Practical performance60%
Reflective spoken assessment40%
Practical performanceNA (formative)

 

Feedback methods

Feedback method

Formative or Summative

Group presentations – oral and written

Summative

Reflective essay - written

Summative

Journal entry – oral and written

Formative

 

Recommended reading

Bogart, A. and T. Landau (2005) The Viewpoints Book, Theatre Communication group, NY  


Callery, D, (2001) Through the Body, Nick Hern Books, London  


Graham, S and S. Hoggett (2014) The Frantic Assembly Book of Devising, Routledge, London  


Heddon, D. and J. Milling Devising Performance, Palgrave Macmillan, London  


Jeefe, J. and S. Murray (2007) Physical Theatre. A Critical Introduction, Routledge, London  
 

Tomlin, L. (2015) British theatre Companies 1995-2014, Bloomsbury Methuen, London  

 

http://www.talawa.com/   


http://www.tamasha.org.uk/home/   


https://www.blacktheatrelive.co.uk/   


https://www.tara-arts.com/   


https://eclipsetheatre.org.uk/  
 

 

Study hours

Scheduled activity hours
Practical classes & workshops 66
Independent study hours
Independent study 134

Teaching staff

Staff member Role
Sarah Weston Unit coordinator

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