- UCAS course code
- VL53
- UCAS institution code
- M20
Bachelor of Arts (BASS)
BASS Philosophy and Criminology
- Typical A-level offer: ABB including specific subjects
- Typical contextual A-level offer: BBC including specific subjects
- Refugee/care-experienced offer: BBC including specific subjects
- Typical International Baccalaureate offer: 34 points overall with 6,5,5 at HL, including specific subjects
Fees and funding
Fees
Tuition fees for home students commencing their studies in September 2025 will be £9,535 per annum (subject to Parliamentary approval). Tuition fees for international students will be £26,500 per annum. For general information please see the undergraduate finance pages.
Policy on additional costs
All students should normally be able to complete their programme of study without incurring additional study costs over and above the tuition fee for that programme. Any unavoidable additional compulsory costs totalling more than 1% of the annual home undergraduate fee per annum, regardless of whether the programme in question is undergraduate or postgraduate taught, will be made clear to you at the point of application. Further information can be found in the University's Policy on additional costs incurred by students on undergraduate and postgraduate taught programmes (PDF document, 91KB).
Scholarships/sponsorships
Scholarships and bursaries, including the Manchester Bursary , are available to eligible home/EU students.
Some undergraduate UK students will receive bursaries of up to £2,000 per year, in addition to the government package of maintenance grants.
You can get information and advice on student finance to help you manage your money.
Course unit details:
Materiality and Representation
Unit code | SOAN20852 |
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Credit rating | 20 |
Unit level | Level 2 |
Teaching period(s) | Semester 2 |
Available as a free choice unit? | Yes |
Overview
This course will introduce students to the ways in which objects and materials shape human worlds. We will engage with different conceptual frameworks that have been developed in anthropology and philosophy to think about sensory perception of the material world and about relations between humans, their stuff, and their built environments and infrastructures. We will discuss politics and poetics of identity and belonging in which things, materials, and built structures play active roles. The course will combine lectures and workshops, including a museum visit and a film screening. We will study a mix of theory, ethnographic examples, and case studies. Students will be encouraged to reflect on and experiment with the ways in which things, their material properties, and their existence in time (as they age, decay, emerge, are made and remade) affect humans both practically and emotionally, working on memory, skills, fears, and desires. By exploring museum artefacts (including ethnographic objects, natural history specimens, and modern works of art) as special things that are thought to hold special meaning in their power to communicate and represent, students will be introduced to problems and limits of representation and to the human tendency to abstract from material realities.
Aims
- To introduce students to a range of key anthropological approaches to materiality, sensorial experience, and visuality
- To introduce students to semiotics and phenomenology
- To introduce students to problems of representation in anthropology
- To introduce students to strategies of representation in contexts of display
Learning outcomes
On completion of this unit, successful students will:
- Understand a range of concepts employed in anthropological approaches to human sensory perception of and engagement with matter and things
- Become familiar with ethnographic analysis and the use of theory in the anthropology of materials, of the senses, and of display
- Acquire insight into how anthropology contributes to an understanding of how objects and materials shape human worlds
- Become aware of the importance of cultural and historical variation in human perception of material forms
- Engage in a critical analysis of material displays
Teaching and learning methods
Lectures, seminars, workshops.
In addition to the lecture/seminar format, the course will also involve three workshops. The workshops will encourage students to apply and experiment with theory presented in lectures and seminars.
Assessment methods
- Assessed essay of 3000 words: 80%
- Workshop-based assessment: 20%
Feedback methods
The School of Social Sciences is committed to providing timely and appropriate feedback to students on their academic progress and achievement, thereby enabling students to reflect on their progress and plan their academic and skills development effectively. Students are reminded that feedback is necessarily responsive: only when a student has done a certain amount of work and approaches us with it at the appropriate fora is it possible for us to feed back on the student’s work. The main forms of feedback for Materiality and Representation are verbal feedback in seminar groups on readings and discussion topics, and written feedback on workshop reflections and assessed essays.
Recommended reading
Anusas, Mike, and Cristián Simonetti, eds. 2020. Surfaces: Transformations of Body, Materials and Earth. London: Routledge.
Appadurai, Arjun, ed. 1986. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press.
Chatterjee, Helen J. 2008. Touch in museums: policy and practice in object handling. Oxford: Berg.
Edwards, Elizabeth, Chris Gosden, Ruth B. Phillips, eds. 2006. Sensible Objects: Colonialism, Museums and Material Culture. Oxford: Berg.
Grasseni, Cristina, ed. 2007. Skilled Visions: Between Apprenticeship and Standards. Oxford and New York: Berghahn Books.
Harris, Mark, ed. 2007. Ways of Knowing: New Approaches in the Anthropology of Experience and Learning. Oxford and New York: Berghahn Books.
Harvey, Penny et al. 2015. Objects and Materials: A Routledge Companion. London: Routledge.
Howes, David, ed. 2005. Empire of the senses: the sensual culture reader. Oxford: Berg.
Ingold, Tim. 2000. The Perception of the Environment: Essays in livelihood, dwelling and skill. London: Routledge.
Kalshoven, Petra Tjitske. 2012. Crafting ‘the Indian’: Knowledge, Desire, and Play in Indianist Reenactment. New York and Oxford: Berghahn Books.
Karp, Ivan and Steven D. Lavine, eds. 1991. Exhibiting Cultures. The Poetics and Politics of Museum Display. Washington DC: Smithsonian Institution Press.
Messeri, Lisa. 2016. Placing Outer Space: An Earthly Ethnography of Other Worlds. Durham, NC: Duke University Press.
Tilley, Christopher. 2004. The materiality of stone: explorations in landscape phenomenology. Oxford: Berg.
Study hours
Scheduled activity hours | |
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Lectures | 20 |
Tutorials | 9 |
Independent study hours | |
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Independent study | 171 |
Teaching staff
Staff member | Role |
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Petra Tjitske Kalshoven | Unit coordinator |
Additional notes
Length of Course: 12 weeks
Mandatory course for BA in Archaeology and Anthropology