- UCAS course code
- PQ12
- UCAS institution code
- M20
Bachelor of Arts (BA)
BA Film Studies and Linguistics
Develop expertise in the science of language and its use in film and media.
- Typical A-level offer: AAB
- Typical contextual A-level offer: BBB
- Refugee/care-experienced offer: BBC
- Typical International Baccalaureate offer: 35 points overall with 6,6,5 at HL
Fees and funding
Fees
Tuition fees for home students commencing their studies in September 2025 will be £9,250 per annum. Tuition fees for international students will be £26,500 per annum. For general information please see the undergraduate finance pages.
Policy on additional costs
All students should normally be able to complete their programme of study without incurring additional study costs over and above the tuition fee for that programme. Any unavoidable additional compulsory costs totalling more than 1% of the annual home undergraduate fee per annum, regardless of whether the programme in question is undergraduate or postgraduate taught, will be made clear to you at the point of application. Further information can be found in the University's Policy on additional costs incurred by students on undergraduate and postgraduate taught programmes (PDF document, 91KB).
Scholarships/sponsorships
Scholarships and bursaries are available to eligible Home/EU students, this is in addition to the government package of maintenance grants.
- Find out more from Student Finance
- International student? Check your country page
- Interested in a student internship?
Course unit details:
Introduction to World Cinema
Unit code | SALC11002 |
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Credit rating | 20 |
Unit level | Level 1 |
Teaching period(s) | Semester 2 |
Available as a free choice unit? | Yes |
Overview
This course unit will offer students an introduction to world cinema through a range of debates and concepts that problematise its delineation. It addresses the development of world cinema through key historical junctures within the 20th and 21st centuries:¿ such as the crises of modernity and the cultural ruptures emerging as a result of a confluence of geo-historical and political developments. The aim is for students to learn to read cinema in and of the world as both bound by national formations while simultaneously exceeding them, through an understanding of the dynamics of cultural flows across histories and political formations.
Aims
- To provide students with an understanding of the key debates in world cinema that take into account major historical junctures within the 20th and 21st centuries: such as the crises of modernity and the cultural ruptures emerging as a result of a confluence of geo-historical and political developments
- To acquaint students with ways of reading world cinema as both being bound by national formations while simultaneously exceeding them, through an understanding of the dynamics of cultural flows across histories and political formations
- To equip students with the necessary analytical and critical skills to analyse the corpus films and evaluate representational and aesthetic strategies deployed by filmmakers
Knowledge and understanding
- Demonstrate a sophisticated understanding of the debates and approaches underpinning the study of world cinema
- Evidence an ability to critically analyse films and evaluate their approach to portraying their themes in the light of local aesthetic and cultural debates
- Demonstrate an awareness of how approach impact representational strategies and aesthetics
Intellectual skills
- Demonstrate an ability to make connections between concepts, and apply these relationships in analysis and argument
- Demonstrate an ability to synthesise material from diverse sources, consider multiple and competing lines of argument, evaluate arguments of others, and revise approaches in response to feedback
- Demonstrate an ability to initiate and undertake critical analysis of the corpus films and to develop a line of argument in response
Practical skills
- Communicate understanding of course materials effectively in both speech (as evidenced through seminar participation) and writing (as evidenced by summative assessments)
Transferable skills and personal qualities
- Demonstrate an ability to communicate effectively with others about intellectually demanding concepts, topics, materials
- Demonstrate an ability to draw with accuracy, focus, detail and precision on complex materials in independent and group work
- Demonstrate an ability to effectively present – through discussion and in writing – complex topics, drawing convincingly on oral, written and visual media as appropriate to the topic
Employability skills
- Analytical skills
- A good level of critical thinking and problem-solving skills
- Group/team working
- An ability to work productively as part of a group and independently in learning environments that present complex challenges
- Project management
- An ability to develop detailed, planned and multi-layered approaches to tasks
- Oral communication
- An enhanced ability to effectively adapt self-presentation to different audiences/contexts, especially when communicating complex topics
Assessment methods
Visual essay | 40% |
Essay | 60% |
Verbal response to group discussions in class | N/A (formative) |
Feedback methods
Feedback method | Formative or Summative |
Visual essay – written | Summative |
Essay | Summative |
Verbal response to group discussions in class | Formative |
Recommended reading
Dennison, Stephanie and Song Hwee Lim (2006) ‘Situating World Cinema as a Theoretical Problem’, in Dennison and Lim (eds) Remapping World Cinema: Identity, Culture and Politics in Film (London & New York, Wallflower Press): pp.1–15.
Ezra, Elizabeth and Terry Rowden (2006) ‘General Introduction: What Is Transnational Cinema?’, in Ezra and Rowden (eds) Transnational Cinema: The Film Reader (London and New York, Routledge): pp.1–12.
Kuhn, Annette and Grant, Catherine ‘Screening World Cinema,’ in: Screening World Cinema: a Screen Reader, ed. Annette Kuhn and Catherine Grant. London: Routledge 2006, pp. 3-13.
Martin-Jones, David, 2016. ‘Introduction: Film-Philosophy and a World of Cinemas’, in Film-Philosophy 20: 1, pp. 6 – 23.
Najib, Lúcia, Chris Perriam, and Rajinder Dudrah, eds. (2012) Theorizing World Cinema, New York: I.B. Tauris.
Study hours
Scheduled activity hours | |
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Lectures | 33 |
Seminars | 27.5 |
Independent study hours | |
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Independent study | 139.5 |
Teaching staff
Staff member | Role |
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Maohui Deng | Unit coordinator |