- UCAS course code
- PW30
- UCAS institution code
- M20
Bachelor of Arts (BA)
BA Film Studies and Music
- Typical A-level offer: AAB including specific subjects
- Typical contextual A-level offer: ABC including specific subjects
- Refugee/care-experienced offer: BBC including specific subjects
- Typical International Baccalaureate offer: 35 points overall with 6,5,5 at HL
Fees and funding
Fees
Tuition fees for home students commencing their studies in September 2025 will be £9,535 per annum (subject to Parliamentary approval). Tuition fees for international students will be £26,500 per annum. For general information please see the undergraduate finance pages.
Policy on additional costs
All students should normally be able to complete their programme of study without incurring additional study costs over and above the tuition fee for that programme. Any unavoidable additional compulsory costs totalling more than 1% of the annual home undergraduate fee per annum, regardless of whether the programme in question is undergraduate or postgraduate taught, will be made clear to you at the point of application. Further information can be found in the University's Policy on additional costs incurred by students on undergraduate and postgraduate taught programmes (PDF document, 91KB).
Scholarships/sponsorships
- Find out more from student finance
- Eligible UK students can apply for bursaries and scholarships
- Funding for EU and international students is on our country-specific pages
- Many students work part-time or complete a student internship
Course unit details:
Introduction to Documentary Film Practice
Unit code | DRAM21091 |
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Credit rating | 20 |
Unit level | Level 2 |
Teaching period(s) | Semester 1 |
Available as a free choice unit? | No |
Overview
This course introduces the craft and theory of documentary storytelling. You will learn how to create powerful 5-minute documentary films that respond creatively to a set brief. Throughout the course you will develop your own narrative and filmmaking approach through practical and theoretical instruction in the tools and techniques of digital film production. These include principles of camera and sound, ethical and effective approaches to interviews and personal testimony, observational techniques and editing with Adobe Premiere. These practical creative skills are developed alongside a critical investigation of documentary technique and the art and ethics of storytelling.
You will work individually or in small groups under the close supervision and guidance of the tutor to develop, pitch, research and produce your own film. Students will also learn how to reflect on their own developing creative practice and the responsibilities and sensitivities of working with contributors and a range of multimedia content.
The course is preparatory for third level courses on practice-based research in film and screen studies and documentary and docufiction film practice.
Pre/co-requisites
Pre-requisite units | Any L1 Drama (DRAM) course unit
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Co-requisite units | Any L2 Drama Core Study course unit - Theatres of Modernity; Screen Culture and Society
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Aims
- To give students an introduction to documentary film preproduction, production and postproduction
- To develop students understanding of narrative craft and theory
- To develop students’ ability to apply documentary film and narrative theory to their own developing practice
- To equip students with a grounding in how to work responsibly and effectively with archival sources, contributors and external partners (where relevant)
- To stimulate students creatively to produce short films with impact
Knowledge and understanding
- Demonstrate a basic contextual understanding of documentary film theory
- Demonstrate a capacity to use a range of documentary film production processes to produce their own films
- Demonstrate an understanding of how to work to a set creative brief
- Demonstrate an understanding of how to establish and maintain relationships with participants in filmmaking and research practice
- Demonstrate an understanding of the critical issues surrounding narrative agency and storytelling
Intellectual skills
- Demonstrate their abilities in critical documentary film analysis
- Demonstrate an ability to use reflective practice in order to develop and evaluate their own practical work in film-making
Practical skills
- Demonstrate their skills in the research, development and pitching of documentary film
- Demonstrate their skills in the production of documentary film, including the use of camera and sound equipment and archival research and compilation
- Demonstrate their skills in the postproduction of documentary film, including the use of Adobe premiere editing software
Transferable skills and personal qualities
- Work to a professionally set brief
- Demonstrate a good level of interpersonal communication and team-working skills
- Demonstrate creative individual and group-work skills (problem-solving, thinking innovatively, drawing on creative approaches of others, evaluating creative approaches of others, giving and receiving feedback, time-keeping)
- Use effective leadership and group-work skills to solve problems and sustain a creative process
- Perform with confidence and precision for specific audiences/contexts, making use of diverse creative approaches and media as appropriate to the module)
- Exercise ethical and social responsibility when working with externals partners and individuals
Employability skills
- Analytical skills
- A good level of skill in managing a group-work process ¿ leadership skills, ideas-sharing, giving and receiving feedback, taking initiative, negotiation, flexibility, compromise, collaboration, making contributions, reliability, time-keeping et cetera
- Group/team working
- Ability to work independently and/or as part of a group to conceive, plan, undertake and evaluate original, well-developed responses to a professionally set brief (overseeing a creative process from inception through production, post-production and evaluation)
- Leadership
- Maintaining professional standards as regards self-presentation, including ability to speak to an audience with confidence and precision, and to effectively adapt presentation and material to specific contexts
- Oral communication
- A good level of ability to use reflexivity and emotional intelligence when working in groups (maintaining balance between taking initiative/leading and developing the ideas of others, supporting and challenging, ability to empathise with multiple perspectives, ability to adapt to distinct contexts etc.)
- Other
- Entry level industry-standard training in camera, sound, archive use and editing software
Assessment methods
Documentary Film | 60% |
Reflective Essay | 40% |
Film Pitch | N/A (formative) |
Feedback methods
Feedback method | Formative or Summative |
Film pitch | Formative |
Documentary film - written | Summative |
Reflective essay - written | Summative |
Ongoing feedback during workshops –peer to peer and tutor to student - oral | Formative |
Recommended reading
Bernard, S. C. 2007 (2nd ed.). Documentary Storytelling: making stronger and more dramatic nonfiction films
Bernard, S. C. and Rabin, K. 2009. Archival Storytelling: A filmmaker’s guide to finding, using and licensing third party visuals and music
De Jong, Wilma, Erik Knudsen and Jerry Rothwell. 2012. Creative Documentary
Millerson, G. 2012 (5th ed.). Video Production Handbook
Nichols, 2017 (3rd ed). Introduction to Documentary
Rabiger, M. 2014 (6th ed.). Directing the Documentary
Rosenthal, A. 2016 (5th ed.). Writing, Directing, and Producing Documentary Films and Digital Videos
Study hours
Scheduled activity hours | |
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Practical classes & workshops | 33 |
Independent study hours | |
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Independent study | 167 |
Teaching staff
Staff member | Role |
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Sophie Everest | Unit coordinator |