- UCAS course code
- PW30
- UCAS institution code
- M20
Bachelor of Arts (BA)
BA Film Studies and Music
- Typical A-level offer: AAB including specific subjects
- Typical contextual A-level offer: ABC including specific subjects
- Refugee/care-experienced offer: BBC including specific subjects
- Typical International Baccalaureate offer: 35 points overall with 6,5,5 at HL
Fees and funding
Fees
Tuition fees for home students commencing their studies in September 2025 will be £9,535 per annum (subject to Parliamentary approval). Tuition fees for international students will be £26,500 per annum. For general information please see the undergraduate finance pages.
Policy on additional costs
All students should normally be able to complete their programme of study without incurring additional study costs over and above the tuition fee for that programme. Any unavoidable additional compulsory costs totalling more than 1% of the annual home undergraduate fee per annum, regardless of whether the programme in question is undergraduate or postgraduate taught, will be made clear to you at the point of application. Further information can be found in the University's Policy on additional costs incurred by students on undergraduate and postgraduate taught programmes (PDF document, 91KB).
Scholarships/sponsorships
- Find out more from student finance
- Eligible UK students can apply for bursaries and scholarships
- Funding for EU and international students is on our country-specific pages
- Many students work part-time or complete a student internship
Course unit details:
History and Memory in Francophone Cinema
Unit code | FREN30832 |
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Credit rating | 20 |
Unit level | Level 3 |
Teaching period(s) | Semester 2 |
Available as a free choice unit? | Yes |
Overview
Cinema has provided a privileged medium through which representations of history and memory have been constructed, articulated, and contested throughout the French-speaking world. Through its exploration of the intersections between these areas, this course helps students acquire detailed knowledge and understanding of how filmmakers across the French-speaking world have represented the past, while also equipping them with analytical means to interrogate the critical stakes of history and memory on screen, particularly regarding the uses of cinematic genre. By interrogating such works and notions of how history and memory have been represented by filmmakers across time, this course will appeal to students pursuing studies across French, film, history, politics, sociology, and the visual arts.
Aims
to familiarise students with aspects of the broad history of Francophone cinema in relation to history and memory
to introduce students to concepts of history and memory in relation to cinema in order to enable the analysis of Francophone film;
to provide students with key concepts related to genre in film;
to encourage and enable students to verbalise and intellectualise their emotional response to representations of history and memory in cultural production;
to equip students with intellectual and analytical tools to consider the stakes of representation with regard to history and memory in Francophone film.
Syllabus
Week 1: Introductory lecture and seminar on Francophone cinema and notions of history and memory in Francophone culture
Weeks 2–5: World War Two, the Holocaust and Documentary (three film case studies)
Weeks 7–11: Memories of the past across the French-speaking world: a range of films spanning diverse genres, conflicts, times and spaces (five film case studies)
Week 12: Concluding lecture and seminar (revision; coursework essay methodology)
Teaching and learning methods
4 x 2-hour lectures and 4 x 1-hour seminars on three film case studies (World War Two, the Holocaust and Documentary)
5 x 2-hour lectures and 5 x 1-hour seminars on five film case studies (Memories of the past across the French-speaking world)
Concluding 2-hour lecture and 1-hour seminar (revision; coursework essay methodology)
Knowledge and understanding
Demonstrate knowledge and understanding of some of the major aspects of history and memory as represented in Francophone cinema.
Intellectual skills
Contextualise, analyse and discuss audio-visual material in a structured fashion; apply critically terminology and conceptual frameworks derived from film theory and relevant cultural theories on the cinematic representation of history and memory.
Practical skills
Demonstrate the ability to carry out individual research for coursework essays, and express ideas and arguments coherently and convincingly in time-limited constraints, using an appropriate level of academic writing and exemplification.
Transferable skills and personal qualities
Demonstrate powers of analysis; manage word-count effectively when writing coursework; manage time effectively when planning coursework; participate in seminars; work as part of a group; assess the relevance of existing literature through independent research; seek advice and feedback and develop confidence.
Employability skills
- Other
- Time management Responding to instructions Independent research; initiative Intercultural awareness Coherent expression (orally and in writing)
Assessment methods
Assessment task | Formative or Summative | Weighting within unit (if summative) | ||
Sequence analysis draft plan | formative | N/A | ||
Sequence analysis | summative | 30% | ||
Coursework draft plan | formative | N/A | ||
Individual assessed coursework essay | summative | 70% |
Feedback methods
Feedback method | Formative or Summative |
Individual written and oral feedback on a sequence analysis | summative |
Individual written and oral feedback on a coursework essay plan | formative |
Individual written feedback on coursework essay performance | summative |
Recommended reading
Austin, Guy, Contemporary French Cinema: An Introduction, 2nd edn (Manchester: Manchester University Press, 2008)
Banaji, Ferzina, France, Film and the Holocaust: from Le Génocide to La Shoah (New York, NY: Palgrave Macmillan, 2012)
Cooper, Sarah, Selfless Cinema?: Ethics and French Documentary (London: Legenda, 2006)
Greene, Naomi, Landscapes of Loss: The National Past in Postwar French Cinema (Princeton, N.J.: Princeton University Press, 1999)
McNeill, Isabelle, Memory and the Moving Image: French Film in the Digital Era (Edinburgh: Edinburgh University Press, 2010)
Pollock, Griselda, and Maxim Silverman, Concentrationary Cinema: Aesthetics as Political Resistance in Alain Resnais’s Night and Fog (1955) (New York, NY: Berghahn, 2014)
Rothberg, Michael, Traumatic Realism: The Demands of Holocaust Representation (Minneapolis: University of Minnesota Press, 2000)
Saxton, Libby, Haunted Images: Film, Ethics, Testimony and the Holocaust (London: Wallflower, 2008)
Spaas, Lieve, The Francophone Film: A Struggle for Identity (Manchester: Manchester University Press, 2000)
Suleiman, Susan Rubin, Crises of Memory and the Second World War (Cambridge, MA: Harvard University Press, 2006)
Study hours
Scheduled activity hours | |
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Lectures | 22 |
Seminars | 11 |
Independent study hours | |
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Independent study | 167 |
Teaching staff
Staff member | Role |
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Joseph Mcgonagle | Unit coordinator |