Bachelor of Arts (BA)

BA Film Studies and Music

Combine study in Film Studies and Music through our joint honours course.
  • Duration: 3 years
  • Year of entry: 2025
  • UCAS course code: PW30 / Institution code: M20

Full entry requirementsHow to apply

Course unit details:
Ensemble Performance B (10 credits)

Course unit fact file
Unit code MUSC20650
Credit rating 10
Unit level Level 2
Teaching period(s) Full year
Available as a free choice unit? No

Overview

This course provides opportunities for ensemble playing in particular idioms under the guidance of specialist tutors. While the focus is on playing together, students will also gain a practical and theoretical background to support their playing.

Students taking MUSC20660 take both of the options on offer in any given year. For 2025/26, these will be:

  • Klezmer (full year)
  • Jazz and popular music (semester one)

For further details, see the syllabus section below.

 

Aims

  • To expand upon skills already established in MUSC 10600 Solo Performance by confronting performance contexts involving collaboration with other musicians and developing the skills of an ensemble player.
  • To facilitate the development of students’ creative imagination and skills of critical self-awareness when working in a collaborative performance context.
  • To learn about music from other cultures through performance.
     

Syllabus

Klezmer (max. 12 students)

This option provides a practical and theoretical introduction to traditional klezmer music of predominantly Eastern European origin. You will develop skills in improvisation, arrangement and group interpretation. You will also be guided through a selection of background reading and you will listen to a variety of related repertoire. Your studies will culminate in an assessed performance. For 2025-26, this option will be taught by visiting tutor Daniel Mawson with academic support from Dr. Richard Fay.

On completion of the Klezmer option, students should be able to:

  • Demonstrate a practical and theoretical understanding of the structural forms and stylistic conventions used in klezmer music
  • Perform a selection of traditional repertoire from memory  
  • Demonstrate the ability to work both individually and in collaborative teams  
  • Demonstrate skills in improvisation and arrangement

 

Jazz and Popular Music (max. 14 students) 

For this option, you will attend a series of workshops in which you will learn to perform in a combination of small combo as well as large ensemble settings. You will gain experience in arranging music for your ensemble, rehearsal processes, understanding of phrasing and articulation that are appropriate to the repertoire you play, and improvisation practices within the broader realm of western music, to include jazz and popular music. Your studies will culminate in an assessed performance. For 2025/26 this option will be taught by Alexander Gagatsis.    

On completion of the jazz and popular music option, students should be able to:  

  • Demonstrate a practical and theoretical understanding of the structural forms and stylistic conventions of jazz and popular music performance  
  • Apply skills in arrangement and improvisation to performances.  
  • Demonstrate the ability to think as an individual, yet work collaboratively as an ensemble performer.  
  • Perform within a group a set of pieces that showcase the above skills.  

 

Teaching and learning methods

Teaching for this course unit is organised around regular practical sessions. These will consist of workshops with specialist tutors, group rehearsals, and discussion, supported by background reading and listening. The course tutors may also set individual or group tasks for you to undertake between classes. Some options include an element of improvisation, arranging or group composition.  

Knowledge and understanding

By the end of this course students should be able to:

  • Demonstrate increased understanding of how music works and the contexts in which it is performed.
  • Agree on an interpretation or arrangement with other performers, and apply an informed understanding of musical style and structure in the realisation of that interpretation.

Intellectual skills

  • Show an enhanced ability to understand and apply analytical skills to music; and to convey that understanding to other musicians.
  • Engage with other musicians in meaningful dialogue about music and its interpretation.   

Practical skills

  • Demonstrate enhanced performance abilities in the skill areas cultivated in your chosen option.
  • Respond to and collaborate with other musicians whilst performing. 

Transferable skills and personal qualities

  • Demonstrate enhanced skills in problem-solving, interpersonal communication, rehearsal techniques and the practical application of analytical and interpretative insights.  
  • Demonstrate the confidence and interpersonal skills required to work effectively in groups, showing skills relating to teamwork, negotiation, decision-making and leadership. 

Employability skills

Analytical skills
Surveying and analysing repertoire, demonstrating an understanding of the repertoire you are performing;
Innovation/creativity
Showing initiative in inventing a creative concept and putting it into motion, coming up with your own ideas, and not relying on your teacher to do the thinking for you;
Leadership
Being responsible for overseeing a creative product from inception through to final performance;
Project management
Developing time-management skills, developing effective and efficient practising habits, setting and achieving goals, and collaborating effectively with other musicians as appropriate;
Other
Self-awareness: knowing your strengths and skills and having the confidence to put these across through performance; Willingness to learn: being inquisitive about such issues as repertoire and performance practice, being enthusiastic and open to new ideas, making decisions, assessing progress and making changes if necessary.

Assessment methods

Assessment Task

Formative or Summative

Weighting

Group Performance

Summative

100%

 

Feedback methods

Workshops/coaching sessions; group discussion; individual discussion with tutor; reflection on informal performances; written feedback on final assessed performance. 

Recommended reading

The following titles provide overall support and context for ensemble performance:  

 

  • Davies, Stephen, Musical Works and Performances: a Philosophical Exploration (Oxford, 2001).
  • Dunsby, Jonathan, Performing Music: Shared Concerns (Oxford, 1995).
  • Godlovitch, Stanley, Musical Performance: A Philosophical Study (London and New York, 2003).
  • Rink, John (ed.), Musical Performance: A Guide to Understanding (Cambridge, 2002).
  • Rink, John (ed.), The Practice of Performance: Studies in Musical Interpretation (Cambridge, 2005).

 

On the performance of music from 'world’ cultures, see:

  • Schippers, Huib, Facing the Music: Shaping Music Education from a Global Perspective (New York, 2009)
  • Solís, Ted (ed.), Performing Ethnomusicology: Teaching and Representation in World Music Ensembles (Berkeley, Los Angeles and London, 2004).

 

Your tutors will direct you to specific resources relevant to each option. 

Study hours

Scheduled activity hours
Assessment practical exam 1
Practical classes & workshops 18
Independent study hours
Independent study 81

Teaching staff

Staff member Role
Caroline Bithell Unit coordinator

Additional notes

 

Each option has its own schedule of workshops/coaching sessions and group rehearsals: these will be detailed in the course outline provided by the relevant tutor.

 

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