MusM Composition (Instrumental and Vocal music)

Year of entry: 2021

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Overview

Degree awarded
Master of Music
Duration
1 year [full-time], 2 years [part-time]
Entry requirements

We normally expect students to have a First or Upper Second class honours degree or its overseas equivalent in a humanities-based subject area.

Full entry requirements

How to apply
Apply online

Course options

Full-time Part-time Full-time distance learning Part-time distance learning
MusM Y Y N N

Course overview

  • Pursue your career as a composer working with technology and audio-media, or a PhD in electroacoustic composition.
  • Learn in state-of-the-art facilities, including our dedicated electroacoustic studio complex.
  • Study in a city that is home to more professional music-making than any UK city outside of London.
  • Study at the number 1 university Music department in the UK (Sunday Times Good University Guide 2020).

Open days

Find out what it's like to study at Manchester by visiting us on one of our  open days .

Fees

For entry in the academic year beginning September 2021, the tuition fees are as follows:

  • MusM (full-time)
    UK students (per annum): £10,000
    International, including EU, students (per annum): £20,000
  • MusM (part-time)
    UK students (per annum): £5,000

Further information for EU students can be found on our dedicated EU page.

Policy on additional costs

All students should normally be able to complete their programme of study without incurring additional study costs over and above the tuition fee for that programme. Any unavoidable additional compulsory costs totalling more than 1% of the annual home undergraduate fee per annum, regardless of whether the programme in question is undergraduate or postgraduate taught, will be made clear to you at the point of application. Further information can be found in the University's Policy on additional costs incurred by students on undergraduate and postgraduate taught programmes (PDF document, 91KB).

Scholarships/sponsorships

Each year the School of Arts, Languages and Cultures offer a number of  School awards and Subject-specific bursaries  (the values of which are usually set at Home/EU fees level), open to both Home/EU and international students. The deadline for these is early February each year. Details of all funding opportunities, including deadlines, eligibility and how to apply, can be found on the School's funding page  where you can also find details of the Government Postgraduate Loan Scheme.

See also the University's postgraduate funding database  to see if you are eligible for any other funding opportunities.

For University of Manchester graduates, the  Manchester Alumni Bursary offers a £3,000 reduction in tuition fees to University of Manchester alumni who achieved a 1st within the last three years and are progressing to a postgraduate taught masters course.

The  Manchester Master's Bursary  is a University-wide scheme that offers 100 bursaries worth £3,000 in funding for students from underrepresented groups.

Contact details

School/Faculty
School of Arts, Languages and Cultures
Contact name
PG Taught Admissions
Email
Website
http://www.alc.manchester.ac.uk/music/
School/Faculty

See: About us

Courses in related subject areas

Use the links below to view lists of courses in related subject areas.

Entry requirements

Academic entry qualification overview

We normally expect students to have a First or Upper Second class honours degree or its overseas equivalent in a humanities-based subject area.

English language

An overall grade of 6.5 in IELTS is required or 93+ in the TOEFL iBT with a minimum writing score of 23.

If you have obtained a different qualification, please check our  English language requirements  to ensure that it is accepted and equivalent to the above requirements.

English language test validity

Some English Language test results are only valid for two years. Your English Language test report must be valid on the start date of the course.

Relevant work experience

We do not require work experience as a condition of entry. Any work experience relevant to the programme may, however, be taken into consideration when we review your application.

Application and selection

How to apply

Advice to applicants

You should include a personal statement (no more than 500 words) that demonstrates your understanding of the subject and your motivation for wanting to study the programme.

If your academic background is not directly related to the programme, you should supply an academic-standard writing sample on a subject related to the programme.

If English is not your native language, then you should provide an academic-standard writing sample in English directly related to the subject.

For more advice on the application process, please visit our  Applying  page.

How your application is considered

Applications are mainly considered on the basis of an assessment of past and predicted academic achievements, the academic reference(s) and any other supplementary evidence that supports the application. Once we have an application that is ready for a decision, the admissions tutor (often the Programme Director) will relay the decision to the admissions team, who will send you this decision.

Please note that your application is usually received by the School 24 to 48 hours after the time you submit it. If you have not provided documentation that allows the admissions tutor to make a decision, we will contact you.

Portfolio requirements

You will need to submit scores (as hard copy or PDF files) of two or three recent compositions, for a variety of forces or dealing with a variety of musical contexts if possible, and, if available, recordings of performances of your works. These should be sent directly to the course director, Dr Richard Whalley ( Richard.Whalley@manchester.ac.uk ).

Course details

Course description

Our MusM Composition (Instrumental and Vocal) master's course offers intensive training for composers and provides excellent preparation for doctoral work or a career in the professional world.

With a strong focus on practical music-making and supported by an outstanding programme of workshops and performances by professional musicians, it offers an invaluable opportunity for composers to hone their skills and develop their personal voice.

You will benefit from:

  • links to ensembles as an integral part of the course;
  • interaction with the music profession, including the BBC Philharmonic and Manchester Camerata;
  • opportunities to develop professional skills, for example through collaborating, rehearsing and networking with professional musicians; learning to arrange/orchestrate; undertaking outreach opportunities; and collaborating in the creation of performances;
  • flexibility to develop your own compositional and research interests;
  • close ties with electroacoustic composers in NOVARS, and the flexibility to combine electroacoustic course units with those for instrumental and vocal composition;
  • integration into the active research culture of The University of Manchester, through research seminars, performance workshops and concerts.

You can also choose to take a placement unit where you will spend a minimum of 20 days over a period of up to 12 weeks with an arts and cultural organisation, business or service provider to gain valuable workplace experience.

Aims

We aim to:

  • enable you to develop compositional techniques and professional skills appropriate to your creative needs;
  • enable you to work with both student and professional performers toward the performance of recently composed prices;
  • help you develop an awareness of aesthetic, analytical and technical issues relating to contemporary Western art music;
  • encourage you to discuss with clarity and conviction issues relating to contemporary music;
  • enable you to compose several works worthy of public performance;
  • equip you with skills appropriate to the development of further postgraduate study on MPhil and PhD programmes.

Special features

Ensembles

Our close links with in-house and Manchester-based ensembles allow us to guarantee that every student taking this course will have their music performed and/or workshopped by professional ensembles, including the Quatuor Danel, Psappha, Trio Atem and the Manchester Camerata.

The Quatuor Danel enjoys a huge international reputation and their repertoire seemingly knows no limits. From early Haydn through Beethoven and Schubert, to neglected masterpieces from the Soviet Union, to white-knuckle rides through Ligeti, Xenakis and Lachenmann and premieres of new works by Manchester composers, our intrepid String Quartet-in-Residence regularly scales the summits of chamber music. Their visits to Manchester form a backbone of the University's concert series.

Psappha is one of this country's leading contemporary music ensembles, specialising in the performance of music by living composers and that of the 20th and 21st centuries.

The ensemble has an extensive repertoire and a reputation for technical assurance and interpretive flair. Psappha has commissioned and premiered works by a wide range of composers, achieving particular notoriety for their performances of music by Peter Maxwell Davies.

In addition, MusM students frequently have their work performed by The University of Manchester's new music ensemble.

Music in Manchester

Manchester is home to more professional music-making than any UK city outside of London. There are three professional orchestras, as well as internationally recognised institutions such as the BBC, Bridgewater Hall, Opera North and The Royal Northern College of Music (RNCM).

Teaching and learning

Most taught course units are delivered via weekly seminars and/or tutorials.

The composition portfolio is supported by one-to-one supervision and is submitted at the beginning of September. Part-time students may submit in either September or December following their second year of study.

Each student meets regularly with their supervisor (for full-time students usually on a weekly basis during term-time, less frequently during vacations), allowing for in-depth exploration of ideas and intensive support for the various course units offered.

Other members of the academic staff are also available for individual consultation during designated office hours.

Alongside your taught units, you will have access to a range of non-assessed seminars, workshops and training sessions offered by the Graduate School.

All postgraduate students are expected to undertake their own programme of self-directed learning and skills acquisition. This may also involve wider reading, language work, computer training and attendance at research seminars in other parts of the University.

Coursework and assessment

There are no formal examinations. Taught course units - all of which must be satisfactorily completed - are assessed by submission of compositions, coursework essays or other tasks, normally submitted at the end of each semester (January and May).

The Composition Portfolio is created over the entire duration of study and is submitted at the end of the academic year (after the summer vacation). All work is double-marked internally and moderated by the External Examiner.

Course unit details

You will undertake units totalling 180 credits. Core and optional units combine to make 120 credits, with the remaining 60 credits allocated to a portfolio. Full-time students take two course units per semester; part-time students take one.

This course is designed to give a comprehensive training to composers in much more depth than is possible at undergraduate level.

This means that the core course units are designed specifically for instrumental composers. It is also possible to take one 30-credit course unit in electroacoustic composition, performance or musicology.

Compulsory units are Portfolio of Compositions (60 credits), which normally consists of at least three works for contrasting media or instrumentation, and Composition Project , which focuses on a complete composition, written over a limited period of time in response to specific criteria and supported by discussion in tutorials.

Course units specific to Instrumental Composition include Compositional Etudes , Contemporary Music Studies and Advanced Orchestration .

Further options include Aesthetics and Analysis of Organised Sound , Interactive Tools and Engines and Historical or Contemporary Performance .

Course unit list

The course unit details given below are subject to change, and are the latest example of the curriculum available on this course of study.

TitleCodeCredit ratingMandatory/optional
Compositional Etudes MUSC40091 30 Mandatory
Composition Project MUSC40102 30 Mandatory
Portfolio of Compositions MUSC40120 60 Mandatory
Contemporary Music Studies MUSC40061 30 Optional
Historical or Contemporary Performance MUSC40072 30 Optional
Aesthetics and Analysis of Organised Sound MUSC40221 30 Optional
Interactive Tools and Engines MUSC40242 30 Optional
Analysis MUSC60012 15 Optional
Ethno/Musicology in Action: Fieldwork and Ethnography MUSC60032 30 Optional
Advanced Orchestration MUSC60042 30 Optional
Aesthetics MUSC60502 15 Optional
Displaying 10 of 11 course units

What our students say

'My master's year at Manchester was absolutely crucial to my development as a composer - I received inspiring and meticulous tuition on my pieces, was part of a rewarding community of composers, and benefitted from the University's admirable emphasis on giving performance opportunities for composers. During the year, I wrote three short études to be workshopped by musicians from Trio Atem, a string quartet workshopped by the Quatuor Danel, a piece for the Manchester Camerata student composers competition, a piece inspired by and performed at the Anthony Burgess Institute, and was also asked to write two large-scale pieces - a concerto for two pianos and ensemble and a piece for two ensembles - not to mention having existing pieces performed by the University's excellent new music ensemble.'

'The MusM in Composition at Manchester provided me with different opportunities to write for different players and ensembles including the pianist Richard Casey and the Quatuor Danel. I was also able to orchestrate a solo piano piece and hear it in a workshop with the University of Manchester Symphony Orchestra. I believe that the great advantage of studying at the university was the variety of styles within the composition staff and student body as well as the fact that everything that I composed was workshopped or performed.'

'A unique quality of the University is its proximity to the city of Manchester, rich in culture, arts and entertainment, as well as educational and employment advantages. It is a very concentrated but diverse and cosmopolitan city.'

Facilities

You will have access to a wide range of study facilities and cultural assets at Manchester.

The Martin Harris Centre offers students an exceptional home equipped with state-of-the-art facilities.

Alongside teaching rooms and practice rooms, the building houses the Cosmo Rodewald Concert Hall (capacity 350, with a stage large enough to accommodate a full symphony orchestra), the John Thaw Studio Theatre, the Lenagan Library and a postgraduate suite consisting of a common room and computer room.

The Lenagan Library is a small reference library housed in the Martin Harris Centre that includes major scores, reference tools and a large collection of recordings, together with listening rooms and a spacious work area.

The Henry Watson Library is located in Manchester's Central Library and is renowned for its Handel and Vivaldi manuscripts, and the library of the nearby Royal Northern College of Music.

Find out more about our facilities .

Disability support

Practical support and advice for current students and applicants is available from the Disability Advisory and Support Service. Email: dass@manchester.ac.uk

Careers

Career opportunities

Graduates of this course have pursued successful careers in musical and non-musical fields.

Many are continuing to achieve success as composers, in some cases receiving professional performances from soloists, ensembles and orchestras all over the world.

Others continue to further study via a PhD before securing an academic position. Some go on to teach in schools or further education, both in the UK and overseas.

Other areas of work for which advanced musical training has been directly relevant include arts management and the culture industries, music publishing, music journalism, librarianship, music therapy and performance.

Careers outside of music have included accountancy, law, social work and human resources.

The University has its own dedicated Careers Service that you would have full access to as a student and for two years after you graduate. At Manchester you will have access to a number of opportunities to help boost your employability .