
- UCAS course code
- W302
- UCAS institution code
- M20
This course is unavailable through clearing
MusB Music / Course details
Year of entry: 2022
- View tabs
- View full page
Course description
Our MusB Music course is diverse and flexible, enabling you to choose the course units that interest you the most to build upon existing interests while allowing you the room to discover new forms and traditions of music and new ways of understanding, performing and creating music.
The course offers excellence in Performance , Composition and Musicology , incorporating specialisms in Music Theory and Analysis, and Ethnomusicology.
Course content is regularly updated based on our research to reflect the latest findings in music scholarships. You will also receive support in preparing for the workplace; our graduates go on to work in the music profession, the creative industries and beyond.
You will learn from internationally recognised academics and a roster of professional instrumental and vocal tutors drawn from Manchester and the wider north-west.
Our teaching and music-making takes place in the Martin Harris Centre for Music and Drama. You will rehearse, take masterclasses and perform in the Cosmo Rodewald Concert Hall and can get your hands on the latest digital audio technology in the award-winning NOVARS studios for electroacoustic music and interactive media.
You will also benefit musically, academically and socially from the extensive music-making and management opportunities provided by the Music Society , the Choral Programme and the department , with 100+ concerts and events taking place each year.
And this is to say nothing of the diversity of music to be experienced in cosmopolitan Manchester, a global city for the performing arts with a rich heritage of professional and amateur music-making.
Find out more on the Music website.
Aims
We aim to:
- enable you to engage in the advanced study of musical performance, musical composition, musicology, ethnomusicology and music analysis within a research-rich and musically lively environment;
- provide opportunities for you to develop specialised and high-level skills in the sub-disciplines of musical performance, musical composition, musicology, ethnomusicology and music analysis;
- stimulate your curiosity and enthusiasm to study music in its practical, creative and intellectual contexts, and to explore the inherent interconnections between these three facets of the discipline;
- enable you to investigate the innate interdisciplinarity of music by exploring the broader social, cultural, aesthetic and scientific contexts in which it is created, heard and received;
- enable you to both develop your strengths and specialisms, and explore new aspects of the discipline by allowing the maximum possible flexibility and choice of course units;
- help you develop your creative imagination and skills of critical self-awareness;
- enable you to develop skills in interpreting, synthesising and critically evaluating information;
- encourage the use of technology as applicable to the study of music as a creative art;
- prepare you for the successful development of careers - both within and outside the field of music - that involve critical judgement, creative problem-solving, teamwork and well-developed communication skills.
Special features

"The electro-acoustic and sound design courses have definitely been a highlight, as you learn new skills from scratch that have obvious real-world uses.
"The performance module has also stood out for me because the individual instrumental lessons have been outstanding."
Sarah Keirle / 2017 graduate
You will benefit from a combination of academic excellence and conservatoire levels of performance at Manchester.
You will receive 18 lessons each year in one-to-one practical tuition on your first study (when taken for credit).
On our Conducting programme there are 6-7 student positions in the Music Society and 4 in University Chorus, all mentored by Rob Guy, Head of Conducting.
The Music Society and the Martin Harris Centre (including the superb Cosmo Rodewald Concert Hall) presents many events annually.
We have many practice rooms, 13 with pianos, and specialist percussion and keyboard rooms.
Composition training
We have six full-time composers with expertise in a range of styles, encompassing instrumental and vocal, interactive media, electroacoustic and film music composition with teaching focused on originality and professional training.
Your work will be performed by fellow students in composition courses throughout the degree. You can also benefit from our dedicated studio, with ProTools suite for electroacoustic composition, film composition and interactive media.
Musicological expertise
From early music to jazz, string quartets to African pop, we have expertise in a vast array of areas, including music theory and analysis, sketch study, reception studies, performance studies, aesthetics, critical theory, cultural studies, community music and ethnomusicology.
Placement year option
Apply your knowledge in a real-world context through a placement year in Year 3, enhancing your employment prospects, career goals and building networks.
Study abroad
You may apply to study abroad for one semester during Year 2.
Teaching and learning
Our research-based teaching places students at the heart of the learning process, enabling you to ask complex, original questions and to apply different methods for answering them.
We understand that making the step up to university study can be quite a challenge, especially if you have limited experience of independent study. We offer a range of support to help you make the transition:
- In Year 1, all Music students are assigned to a small tutorial group which meets most Mondays during term-time. The group is run by your academic tutor and provides you with an opportunity to try out new ideas and receive feedback on your progress.
- All academic staff run two weekly consultation hours, where the office door is open for any question relating to your studies, progress or university life.
- We also host an active peer support network, including weekly study sessions organised and run by Year 2 and 3 students.
You'll be encouraged to develop knowledge and skills beyond your course, including extra-curricular opportunities with the Music Society. These range from performance and rehearsal to concert management and marketing.
Instrumental tuition is provided by the University for your first instrument or voice.
Prominent players from outside the University provide this tuition, and include visitors from the Halle Orchestra, BBC Philharmonic and the Royal Northern College of Music.
Eighteen hours of one-to-one tuition is provided per year, with 20 hours in the third year.
Expert performers provide coaching on our ensemble performance units.
You'll be encouraged to attend our weekly programme of Thursday research forums, including performance and composition masterclasses.
You'll also be encouraged to develop knowledge and skills beyond your course, including extra-curricular opportunities with the Music Society.
These range from performance and rehearsal to concert management and marketing.
Coursework and assessment
Coursework is regularly assigned and assessed either continually or at the end of the semester, depending on the course units taken.
You will have opportunities to take classes in which presentations may count as an assessed element. Many of our students choose to present a formal recital for assessment on their instrument.
Methods of assessment are clearly published six months before each unit begins.
Course content for year 1
Gain a thorough grounding in all the fundamental areas of musical training: performance, composition, analysis and music theory, musicology and ethnomusicology, and most importantly make connections through synergies between studies in these areas. In the second semester you can choose from a range of optional units in addition to core units.
Course units for year 1
The course unit details given below are subject to change, and are the latest example of the curriculum available on this course of study.
Title | Code | Credit rating | Mandatory/optional |
---|---|---|---|
Tonality: Form and Function | MUSC10011 | 20 | Mandatory |
Sonic Invention A | MUSC10311 | 10 | Mandatory |
Sonic Invention B | MUSC10312 | 10 | Mandatory |
Approaches to Musicology | MUSC10511 | 20 | Mandatory |
Music and Its Contexts | MUSC10512 | 20 | Mandatory |
Solo Performance 1 | MUSC10600 | 20 | Mandatory |
Tonality: Motive and Meaning | MUSC10022 | 10 | Optional |
Techniques of Tonal Harmony | MUSC10112 | 10 | Optional |
Musical Notation | MUSC10212 | 10 | Optional |
Solo Performance 1 | MUSC10600 | 20 | Optional |
Course content for year 2
Use our breadth of optional units to build on your interests and explore new areas, including themes you may wish to develop into your third year. Topics in musicology and ethnomusicology range from Early Opera to Music and Consumption in the Digital Age, while composition courses in both instrumental / vocal and electroacoustic composition build on techniques and understanding developed in the first year. Performance courses includes solo and varied range of ensemble performance options.
Course units for year 2
The course unit details given below are subject to change, and are the latest example of the curriculum available on this course of study.
Title | Code | Credit rating | Mandatory/optional |
---|---|---|---|
Analysis | MUSC20011 | 20 | Optional |
Fixed and Electroacoustic Composition | MUSC20061 | 10 | Optional |
Interactive Media Composition Environments | MUSC20072 | 20 | Optional |
Harmony and Counterpoint | MUSC20112 | 10 | Optional |
Music post 1900 | MUSC20222 | 20 | Optional |
Instrumental Composition | MUSC20321 | 20 | Optional |
Vocal Composition | MUSC20362 | 10 | Optional |
Music and Consumption in the Digital Age | MUSC20511 | 20 | Optional |
Solo Performance II | MUSC20600 | 20 | Optional |
Ensemble Performance A (10 credits) | MUSC20611 | 10 | Optional |
Displaying 10 of 17 course units for year 2 | |||
Display all course units for year 2 |
Course content for year 3
You'll specialise more in the third year, and develop further your independent study skills. There are no compulsory course units but you'll select at least one 40-credit course unit from Dissertation, Composition Portfolio or Recital, and may opt to take two. An additional range of advanced 20-credit course units are available in music theory and analysis, aesthetics, musicology and ethnomusicology.
Course units for year 3
The course unit details given below are subject to change, and are the latest example of the curriculum available on this course of study.
Title | Code | Credit rating | Mandatory/optional |
---|---|---|---|
Advanced Analysis | MUSC30011 | 20 | Optional |
Composition Portfolio | MUSC30300 | 40 | Optional |
Dissertation | MUSC30400 | 40 | Optional |
Aesthetics | MUSC30502 | 20 | Optional |
Advanced study in Musicology A | MUSC30510 | 20 | Optional |
Advanced Study in Musicology B (40) | MUSC30520 | 40 | Optional |
Composition for Film or Game Audio | MUSC30540 | 20 | Optional |
Recital | MUSC30600 | 40 | Optional |
Ensemble Performance A (10 credits) | MUSC30611 | 10 | Optional |
Ensemble Performance A (20 credits) | MUSC30621 | 20 | Optional |
Displaying 10 of 14 course units for year 3 | |||
Display all course units for year 3 |
Course content for year 4
For Joint Course students only
Following graduation from the MusB, students on the Joint Course with RNCM complete the GRNCM at the college during Year 4.
What our students say
The best thing about studying Music is that you're not anonymous. The tutors all know who you are, and are always willing to help you out in any way they can.
Laura Kirker, MusB
The nature of the Music department at the University of Manchester is such that any person involved with it feels like part of a family, and, as such, many of those people have a positive university experience that is unique, differing significantly from many students studying different degrees at different universities. I felt privileged to be part of that.
Alex Plim, MusB
The Music Department felt like a very supportive environment in which you would be encouraged to follow whatever path most interested you.
Helen Tonge, MusB
The work ethic, high standards and wonderful enthusiasm and love for music I picked up during five years studying music at Manchester has been a constant source of inspiration.
Rob Stewardson, MusB, MusM graduate
The University of Manchester was a brilliant preparation for life as a freelance musician....I loved my time at the University and was surrounded by supportive people, both staff and fellow students, who helped me to get the most out of myself.
Sophie Mather, Joint Course graduate
The facilities for electroacoustic music at Manchester were key to my success during my degree. I had access to an unrivalled studio space that cultivated my craft and facilitated my creativity.
In addition to these fantastic resources I also benefited from the strong composer community that provided a sounding board for many of my ideas, music and aspirations. The standard of the music and research from this community was incredibly high and instilled within me a meticulous desire for quality.
Manuella Blackburn, MusB, MusM, PhD
Facilities

"The element of the course that I have found most valuable is the number of opportunities for student conductors.
"I have learned a huge amount from being able to conduct a great variety of ensembles, including the symphony orchestra, chamber choir and brass band."
James Heathcote / Year 4 student (joint course with RNCM)
Home to Music and Drama at Manchester, this purpose-built creative facility includes:
- The Cosmo Rodewald Concert Hall - an acoustically designed auditorium seating up to 350 people
- The Lenagan Library - our dedicated performing arts library
- The John Thaw Studio Theatre - a flexible, fully equipped performance space with seating for 150 people
- Specialist rehearsal and practice spaces
NOVARS boasts state-of-the-art facilities for composition and performance, including award-winning electroacoustic composition studios. Studios are equipped with digital recording equipment, Yamaha, Emagic, Akai, Alesis, Max/MSP and GRM technology, as well as Apple Mac work stations.
We own many specialist percussion and keyboard instruments, including a chamber organ, harpsichord, Gamelan Degung and a five-octave marimba. We also own a full suite of replica Baroque instruments, and we offer tuition and performance opportunities on these instruments as part of the Baroque Orchestra concerts which we present every year.
You'll also have access to:
- Manchester Central Library's Henry Watson Library - known for its Handel and Vivaldi manuscripts
- The nearby Royal Northern College of Music Library
- The Delia Derbyshire Collection of digitised reel-to-reel tapes, electronic scores and manuscripts
Find out more about our Music facilities and learning facilities across the wider University .
Disability support
Practical support and advice for current students and applicants from the Disability Support Office: disability@manchester.ac.uk