BA Art History and German

Engagement with the artwork (painting, sculpture, building, mosaic, textile etc.) and the history of its collection and display is central to the study of art history. The focus of this unit is a fieldtrip held during reading week in semester 1 (normally the first week of November) to a major foreign cultural centre. The destination of the fieldtrip will vary from year to year (e.g. Amsterdam, Paris, Berlin, Barcelona, Rome, Florence). In the event of ongoing travel restrictions due to the pandemic, the destination will be a UK city (e.g. Glasgow, Edinburgh, Belfast). Students will study the major collections in the city (e.g. the Louvre [Paris], the Vatican museums [Rome]) as well as, for example, the architecture of the city, monumental sculpture, and church decoration. Weekly lectures and seminars will be held in the lead-up to the fieldtrip in order to prepare students. During the fieldtrip classes will be held on site. On return, students will

work with their tutors on an essay based on further research into an artwork, building, collection or other appropriate area/subject encountered during the fieldtrip. The cost of travel and accommodation will be covered by the department but students will be responsible for subsistence costs and should budget accordingly.

Available on which programme(s)? Single and Joint Honours Art History and Cultural Practices

• To continue to develop an engagement with the artwork  and its history (painting, sculpture, building, mosaic, textile etc.) through on site observation and analysis, and through appropriate contextual reading and research,  
• To consider the conditions which have shaped the artistic and cultural heritage of the fieldtrip destination city,
• To encourage critical reflection on the ways in which the artwork is experienced in situ.

• Demonstrate a basic understanding of the artistic and cultural heritage of the fieldtrip city
• Demonstrate an in-depth knowledge of specific aspects of the artistic heritage of the fieldtrip city including, but not limited to, museum collections and collection history, architecture, sculpture

• Show an awareness of the ways in which the display/ positioning/ geographical location of the artwork affects our understanding and response to it
• Relate secondary sources (articles, books etc.) to the study of the actual object and reflect critically on the process of researching artworks

• Carry out research, before and after the fieldtrip, towards the extended essay
• Present assessed work, including the extended essay, professionally

• Work independently
• Work collaboratively and supportively to prepare for the fieldtrip and during the fieldtrip
• Manage their time effectively
• Behave professionally in class and during the fieldtrip
• Carry out research for the long essay with the support and guidance of the course tutor/s

• Written feedback on summative assessments
• Formative feedback during the preparation for the essay
• Additional one-to-one feedback (during the consultation hour or by making an appointment)

Please note that reading will be assigned on the basis of the fieldtrip destination. The following list is based on a fieldtrip to Florence.

Black, Jeremy, The British Abroad: the Grand Tour in the Eighteenth Century, London, 1992.

Borsook, Eve, The Companion Guide to Florence, revised edition, London, 1988.

Hibbert, Christopher, Florence. The biography of a city, Harmondsworth, 1993.

Murray, Linda, Michelangelo, London, 1980.

Origo, Iris, The Merchant of Prato, London, 1957.

Patridge, Loren, Art of Renaissance Florence, 1400-1600, Berkeley, 2009.

Ruskin, John, Mornings in Florence: Being Simple Studies of Christian Art for English Travellers, Orpington, 1875-77.

Vasari, Giorgio, The Lives of the Artists, trans. Julia Conaway Bondanella and Peter Bondanella, Oxford, 1991.