BA English Literature and History

• Find out more from student finance
• Eligible UK students can apply for bursaries and scholarships
• Funding for EU and international students is on our country-specific pages
• Many students work part-time or complete a student internship

Lyman Tower Sargent describes utopian thinking as ‘social dreaming’ and Anatole France writes that ‘out of generous dreams come beneficial realities’. This course will consider the rush of utopian (and dystopian texts) produced in Britain at the end of the nineteenth century, examining their imaginings of new kinds of gender relations, power relations within and between classes and nations, and relationships between people, the earth and its plants and animals. The course will bring these into dialogue with key utopian texts from America and, India and Europe, tracing their influences in and from British writings, culture and history. and British culture.  

We will read the texts in their cultural and political contexts and draw on key theorists of utopian writing from Ernst Bloch and to Fredric Jameson to Ruth Levitas and Jayna Brown to ask questions such as: what does utopian and dystopian writing do? How does it interact with its own historical and political context, with ideas of past and future, empire and liberation? Does it lead, reflect or challenge social and cultural change? How radical or conservative, liberating or repressive is the form? Drawing on archive material at the Working Class Movement library and the John Rylands, we will also consider rare examples of comic utopias and dystopias, examine the role of niche radical newspapers in the creation and dissemination of utopian and dystopian writings, and identify some of the political uses of key utopian texts in their own time and later.  
 

• To enable students to make informed arguments about turn-of-the-century utopian and dystopian texts, paying close attention to form, style and context of publication and reception, as well as content
• To equip students to carry out archive work, identifying useful source materials and putting them to use in developing sophisticated analysis and arguments  
• To allow students to critically examine representations of class, gender, race and nature in late C19 utopian writings, developing an understanding of the relationships between cultural production and social change, and to bring these texts into dialogue with contemporary texts  
• To ensure that students can draw confidently on appropriate theoretical and critical language to make nuanced arguments about utopian writing
• To enable students to examine and discuss in detail the key techniques, styles and approaches that characterise utopian/dystopian writing
• To provide opportunities in seminar groups and through the assessments for students to develop their close reading, analytical writing and public speaking skills 

•    Students will have an awareness of the styles, forms and approaches that characterise utopian writing and thinking
•    Students will be able to trace the development of utopian thinking and writing across the C19 and make comparisons both within the period and beyond it, within Britain and beyond it
•    Students will have a good understanding of a wide range of critical and theoretical writings about utopia
•    Students will have an awareness of some of the social uses of utopian texts
•    Students will be able to analyse relationships between texts, historical and social movements and power 
 

•    Students will be able to construct and defend complex arguments through textual evidence, both in writing and in seminars
•    Student will be able to draw on a range of critical and theoretical frameworks to discuss  utopian and dystopian writing and make sophisticated critical comparisons
 

•    Students will be able to work in groups, in pairs and individually to produce high quality work
•    Students will be able to make use of a range of formats to express their idea, including in writing, orally and with the use of visual materials
•    Students will develop archive skills through practical hands-on experience.

• Students will be able to work in a small team to meet set objectives to a given deadline
• Students will be able to use an archive to find materials relevant to their topic of study
• Students will be able to give an effective presentation using visual and textual aids
• Students will be able to work individually and respond creatively to a set brief
• Students will be able to critically analyse written and visual texts in their context
• Students will be able to critically interrogate relationships between written texts and their social and political context

Core Texts:  

Edward Bellamy, Looking Backward (1889)* (Please buy OUP 2007 edition, ed. by Matthew Beaumont)

Elizabeth Burgoyne Corbett, New Amazonia (1889)

Shoshee Chunder Dutt, ‘The Republic of Orissa’ (1845)

Pauline Hopkins, Of One Blood (1902-3)* (Please buy MIT Press 2022 edition)

Rokeya Sakhawat Hossain, ‘Sultana’s Dream’ (1905)

William Hudson, A Crystal Age (1887)

Richard Jefferies, After London (1885) (Edinburgh University Press critical edition, 2018: buy or access online via the UoM library)

William Morris, News from Nowhere (1891)* (Please buy OUP 2008 edition, ed. by David Leopold)

Selected Course Preparatory Reading:

Matthew Beaumont The Spectre of Utopia: Utopian and Science Fictions at the Fin de Siècle (Oxford: Peter Lang, 2012)

Jayna Brown, Black Utopias: Speculative Life and the Music of Other Worlds (Duke University Press, 2021)

Lisa Garforth, Green Utopias: Environmental Hope before and After Nature (Cambridge: Polity Press, 2018)

Fredric Jameson, Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (London: Verso, 2005)  

Ruth Levitas, Utopia as Method: The Imaginary Reconstitution of Society (Basingstoke: Palgrave Macmillan, 2013)

Alex Zamalin, Black Utopia: The History of an Idea from Black Nationalism to AfroFuturism (Columbia University Press, 2019)